{"id":265,"date":"2014-03-14T02:12:01","date_gmt":"2014-03-14T02:12:01","guid":{"rendered":"http:\/\/sites.massey.ac.nz\/expressivearts\/?p=265"},"modified":"2014-08-20T02:45:48","modified_gmt":"2014-08-20T02:45:48","slug":"nuts-nz-issue-1-march-2014","status":"publish","type":"post","link":"https:\/\/sites.massey.ac.nz\/expressivearts\/2014\/03\/14\/nuts-nz-issue-1-march-2014\/","title":{"rendered":"NUTS NZ. Issue #1. March 2014"},"content":{"rendered":"<h1><strong>Editorial<\/strong><\/h1>\n<p>Welcome to the inaugural edition of <b>NUTS NZ <\/b>&#8211; the Newsletter for University Theatre Studies New Zealand.The purpose of the newsletter is to help us\u00a0communicate more effectively as a community of scholars interested in Theatre and Performance. We hope this initiative will insure we are better able to support each other, collaborate together, and present a more united front in terms of important issues facing our discipline area in NZ.\u00a0<b> <\/b>To insure we stay connected, NUTS NZ<b> <\/b>will\u00a0provide updates on current research, seminars, events, and initiatives.\u00a0Each newsletter issue will comprise stories, pictures, news items and potentially short interviews. NUTS NZ will focus specifically on theatre initiatives in\u00a0New Zealand\/Aotearoa. We\u00a0will also have a segment in each newsletter in which we profile an academic AND a postgraduate student. This is a great opportunity to stay connected with \u201cour\u201d people and keep abreast of what one another are doing.\u00a0In our first edition, we are pleased to be profiling Dr Laura Haughey and masters\u2019 student Mihailo Ladjevac.\u00a0In order to bring you the best updates in our area, we will be calling for submissions from each and every one of you.\u00a0Thank you to all of you who have provided material for this edition and we look forward to working with you throughout the year to ensure this new initiative is a success.<\/p>\n<p>NUTS NZ editors: Jane Marshall and Rand Hazou.<\/p>\n<p>Below is a reminder of when\u00a0our next issues will be &#8220;published&#8221;\u00a0and the dates by which all relevant information is required.<\/p>\n<p><b>Submissions for the following editions should be sent to the NUTS NZ editor\u00a0Jane Marshall: \u00a0<\/b><a href=\"mailto:j.g.marshall@massey.ac.nz\"><b>j.g.marshall@massey.ac.nz<\/b><\/a><\/p>\n<table border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"205\"><b>Newsletter Issue<\/b><\/td>\n<td valign=\"top\" width=\"206\"><b>Information Required by<\/b><\/td>\n<td valign=\"top\" width=\"205\"><b>Date of Circulation<\/b><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"205\">Issue 2<\/td>\n<td valign=\"top\" width=\"206\">30 April 2014<\/td>\n<td valign=\"top\" width=\"205\">16 May 2014<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"205\">Issue 3<\/td>\n<td valign=\"top\" width=\"206\">31 July 2014<\/td>\n<td valign=\"top\" width=\"205\">15 August 2014<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"205\">Issue \u00a0 4<\/td>\n<td valign=\"top\" width=\"206\">31 October \u00a0 2014<\/td>\n<td valign=\"top\" width=\"205\">30 \u00a0 November 2014<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"line-height: 1.5em\">\u00a0<\/span><\/p>\n<h1><strong>NUTS People<\/strong><\/h1>\n<p>In each edition of NUTS NZ we will be profiling an academic and a post graduate student to show case \u201cour people\u201d and their current research\/interests.\u00a0 It is our pleasure to be profiling Dr Laura Haughey \u2013 who is new to the University of Waikato &#8211; and Waikato post graduate student Mihailo Ladjevac in our first issue of NUTS NZ.\u00a0 As part of the profile, NUTS NZ asked each of them to answer the following questions: \u201cWhat is your research about,\u201d \u201cWhat theatre\/performances have you seen recently,\u201d and \u201cWhat have you been reading lately?\u201d<\/p>\n<p>&nbsp;<\/p>\n<p><b>Dr. Laura Haughey \u2013 University of Waikato.<\/b><\/p>\n<p><a href=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/lou-1-copy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-268 alignnone\" src=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/lou-1-copy.jpg\" alt=\"lou 1 copy\" width=\"250\" height=\"167\" srcset=\"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/lou-1-copy.jpg 250w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/lou-1-copy-100x66.jpg 100w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/p>\n<p>Laura trained as a physiotherapist who practised part time whilst touring and performing with a dance theatre company around the UK and Europe. She then undertook her MA in Physical Ensemble Theatre at the University of Huddersfield,\u00a0where she went on to complete her PhD in &#8216;Practical Proprioception: An Examination of a Core Physiological Foundation for Physical Performance Training.&#8217;\u00a0Laura has worked professionally as a movement director, actor trainer, theatre director and workshop practitioner across the UK and in Europe and has taught at the University of Huddersfield, Edge Hill University and the University of Glamorgan.<\/p>\n<ul>\n<li><strong>Research:<\/strong> psychophysical actor training, physical theatre, neuroscience and inclusive theatre practice.<\/li>\n<li><strong>Theatre:<\/strong> The last theatre show I saw was Theatre AdInfinitum&#8217;s &#8216;Translunar Paradise&#8217;, a beautiful and delicately precise physical performance about bereavement, told entirely without words. It was an incredibly moving piece of theatre, and has toured internationally.<\/li>\n<li><strong>Reading:<\/strong> I am currently immersed in Antonio Damasio&#8217;s &#8216;The Feeling Of What Happens: body, emotion and the making of consciousness&#8217;, as I develop my research into areas of neuroscience.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><b>Mihailo Ladjevac \u2013 University of Waikato (Postgraduate Student)<\/b><\/p>\n<p><a href=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/securedownload.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-270\" src=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/securedownload-200x300.jpg\" alt=\"securedownload\" width=\"169\" height=\"230\" \/><\/a><\/p>\n<p>Mihailo Ladjevac is from Serbia Europe and has a Diploma in Acting from the Faculty of Dramatic Arts in Belgrade. He plays flute, piano, saxophone and speaks three languages; and has acted in television, film and TVCs. Since 2001Mihailo has been a full time actor with the National Theatre of Belgrade, in such productions as<em> Don Quixote<\/em>, <em>Breakfast at Tiffany&#8217;s<\/em>, <em>Scenes from an Execution<\/em>, <em>Homebody\/Kabul<\/em>, <em>The Glass Menagerie<\/em>, <em>Romeo and Juliet<\/em>, <em>Love&#8217;s Labour Lost<\/em>, <em>The Public Enemy<\/em>, <em>Ivanov<\/em>, <em>The Seagull<\/em>, <em>The Wedding<\/em>, <em>The Idiot<\/em>, and\u00a0<em>Tartuffe<\/em>. Mihailo&#8217;s awards include several Best Actor awards between 2005 and 2012.<\/p>\n<ul>\n<li><strong>Research:<\/strong> For my research,\u00a0I&#8217;ve picked a topic related to the biography and teaching method of Professor Bejcetic &#8211;\u00a0my Acting lecturer. I believe his approach to students of acting is somewhat unique and universal. No matter where they come from, and what language they speak, I feel that Professor Bejcetic&#8217;s teaching technique brings the core of acting to the surface of every future actor; and I wanted to share this, for me, remarkable experience with people around me.<\/li>\n<li><strong>Theatre:<\/strong> In the past six months I&#8217;ve seen a few performances, but I would like to highlight two. The most exciting to me\u00a0was the New York Broadway musical <em>Wicked<\/em> at the Civic Theatre in Auckland and <em>The History Boys<\/em>, directed by Prof. Gaye Poole, at the Gallagher Academy of Performing Arts at the University of Waikato\u00a0in Hamilton.<\/li>\n<li><strong>Reading:<\/strong> At the moment, all my attention has been focused on the biographies of Chekhov, Eugenio Barba and Konstantin Sergeievich Stanislavski.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h1><strong>Performances<\/strong><\/h1>\n<p>As part of each issue, NUTS NZ will give readers a \u201cheads up\u201d of the performances that are being produced throughout the year.\u00a0 There are some exciting performances being produced over the next few months across the campuses.\u00a0 Here is the line up from Massey and the University of Auckland:<\/p>\n<h2><b>The BITSA Performance Season:<\/b><\/h2>\n<p>Massey University Theatre Society (MUTS) will be presenting a double-bill of two student plays as part of the BITSA performance season. Aspiring Albany student playwrights were invited to enter the inaugural\u00a0<a href=\"http:\/\/www.massey.ac.nz\/massey\/about-massey\/news\/article.cfm?mnarticle_uuid=0E6B77DD-030C-FB23-D37A-62A41298EAB1\">playwriting competition<\/a>\u00a0last year. Named the Bitsas, the competition involves \u201cBits-A-Writing, Bits-A-Performing\u201d. The two winning entries will be presented as part of a short season from\u00a0Wednesday 19 to\u00a0Friday\u00a021st of March. The performances will be presented in the Theatre Lab at the Massey Albany campus. Doors open at 8pm. Entry is by Koha\/Donation. For more information or to book tickets please email:\u00a0<a href=\"mailto:masseyunimuts@gmail.com\">masseyunimuts@gmail.com<\/a><\/p>\n<p><a href=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/1231158_615280055208105_35159753_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-269\" src=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/1231158_615280055208105_35159753_n-300x225.jpg\" alt=\"1231158_615280055208105_35159753_n\" width=\"300\" height=\"225\" srcset=\"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/1231158_615280055208105_35159753_n-300x225.jpg 300w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/1231158_615280055208105_35159753_n-100x75.jpg 100w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/1231158_615280055208105_35159753_n.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<ul>\n<li><em><strong>&#8216;Between the Cracks&#8217; <\/strong><\/em><strong>by Kate Davis.\u00a0<\/strong>Set on Auckland K\u2019Rd,\u00a0Between the Cracks\u00a0is a play about an unlikely friendship between a sex worker and a middle-class woman. Written by Kate Davis, Massey student and\u00a0former sex industry worker and regional coordinator in Auckland for the New Zealand Prostitutes\u2019 Collective, the play provides\u00a0an insider\u2019s perspective to demystify the world of sex workers, and their diverse personalities, sexual identities and life stories. For more information click <a href=\"http:\/\/www.massey.ac.nz\/massey\/about-massey\/news\/article.cfm?mnarticle_uuid=105D11D9-F9C5-21BB-CC8B-7338F5D19988\">here<\/a>.<\/li>\n<li><em><strong>&#8216;Lines of Literature&#8217; <\/strong><\/em><strong>by Georgina Forreste<\/strong>r.\u00a0Lines of Literature is about a group of middle-aged Auckland woman who meet as part of book group. Written by Massey student Georgina Forrester, the play explores the lines between fiction and reality and how the women seem more invested in the \u2018fiction\u2019 of the romantic novels they read rather than in the \u2018reality\u2019 of their real lives, marriages, and businesses that seem to be crumbling around them.<\/li>\n<\/ul>\n<p><b style=\"font-size: 1.5em;line-height: 1.5em\">\u00a0<\/b><\/p>\n<div>\n<h2><b>University of Auckland Drama 2014 Productions:<\/b><\/h2>\n<p><a href=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/Mele-Kanikau-image-for-internet-by-Joanna-Forsberg.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-303\" src=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/Mele-Kanikau-image-for-internet-by-Joanna-Forsberg-300x200.jpg\" alt=\"Mele-Kanikau-image-for-internet-by-Joanna-Forsberg\" width=\"300\" height=\"200\" srcset=\"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/Mele-Kanikau-image-for-internet-by-Joanna-Forsberg-300x200.jpg 300w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/Mele-Kanikau-image-for-internet-by-Joanna-Forsberg-1024x682.jpg 1024w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/Mele-Kanikau-image-for-internet-by-Joanna-Forsberg-100x66.jpg 100w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/Mele-Kanikau-image-for-internet-by-Joanna-Forsberg.jpg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<\/div>\n<ul>\n<li><em><strong>That\u2019s the Story, Morning Glory\u00a0<\/strong><\/em>and\u00a0<strong><em>Mockingbird<\/em>.\u00a0<\/strong>Thurs-Sun, 9, 10, 11, 12 October,\u00a0in the Musgrove Studio, Maidment Theatre:\n<ul>\n<li><em><strong>That\u2019s the Story, Morning Glory.\u00a0<\/strong><\/em><span style=\"line-height: 1.5em\">Written and directed by Juliet Monaghan.\u00a0<\/span>On the edge of separating one minute, irresistibly drawn together the next, Johnny and Daisy have no choice but to ne- gotiate the cloudy waters of their eccentric pairing. That\u2019s the Story, Morning Glory chronicles the lives of Johnny and Daisy as they discover new dimensions to the meaning of love.<\/li>\n<li><em><strong>Mockingbird.\u00a0<\/strong><\/em><span style=\"line-height: 1.5em\">Written and performed by Lisa Brickell.\u00a0Directed by Ruth Dudding.\u00a0With music by Sarah Macombee.\u00a0<\/span>Tina\u2019s journey into the past is also a quest to find a new beginning. An original play about family secrets, about four genera- tions of women and about the unequivocal love we have for our children.<\/li>\n<\/ul>\n<\/li>\n<li><em><strong>The Wrong Way Kids.\u00a0<\/strong><\/em><span style=\"line-height: 1.5em\">Written and directed by Russell King.\u00a0<\/span>Thurs-Sun, 16, 17, 18, 19 October in the Drama Studio, Arts 1 Building.\u00a0Chase and Kelsey have run away from home. Fed up with their home lives, the two find themselves squatting in a derelict housing project, but life couldn\u2019t be better. However, this all changes when their older brother, a small-time criminal tracks them down and invites himself to stay. A play about family, tough decisions, and what it really means to be a grown-up.<\/li>\n<li><strong><i>Oh, What a Lovely War!\u00a0<\/i><\/strong>by Joan Littlewood Directed by\u00a0Alex Bonham and\u00a0Performed by\u00a0the Drama 204 class.\u00a0Thurs-Sun, 18, 19, 20, 21 September\u00a0in the\u00a0Musgrove Studio, Maidment Theatre<\/li>\n<li><em><strong>Songs, battles and a few jokes!\u00a0<\/strong><\/em>This landmark production of 1964 celebrates the courage and endurance of the ordinary soldier, and sweeps away any lingering views that the First World War may have been \u2018Great\u2019. From the jingoistic recruitment drives of 1914 to the realities of trench life, the story of the conflict is told through the songs and entertainments of the time in an extraordinary piece of theatre that is both deeply moving and thoroughly entertaining.<\/li>\n<li><strong><i>Endgame\u00a0<\/i><\/strong>by Samuel Beckett\u00a0Directed by Rina Kim.\u00a0Performed by the Drama 710 class.\u00a0Thurs-Sun, 22, 23, 24, 25 May\u00a0in the Drama Studio, Arts 1 Building.\u00a0Beckett wrote in his well-known letter to Alan Schneider who was directing the first production of Endgame in 1957: \u201cMy work is a matter of fun- damental sounds (no joke intended) made as fully as possible and I accept responsibility for nothing else. If people want to have headaches among the overtones, let them. And provide their own as- pirin.\u201d Bearing this warning in mind and equipped with plenty of aspirin (no joke intended), Drama 710 class invites you to join their exploration of \u201cfundamental sounds\u201d in Endgame.<\/li>\n<li><em><strong>Assorted Shorts:\u00a0<\/strong><\/em>An evening of original short plays written, directed and performed by BA Hons students of Drama 730.\u00a0Thurs-Sun, 7, 8, 9, 10 August\u00a0in the Drama Studio, Arts 1 Building.\u00a0Working as a class company, sharing the roles of writing, directing and performing, the students of Drama 730 present a collection of thematically connected short plays. Be prepared for a high-energy evening of fresh original theatre.<\/li>\n<\/ul>\n<p><b>Bookings:\u00a0<\/b>Tickets can be reserved for all productions (except Oh, What a Lovely War!, That\u2019s the Story, Morning Glory and Mockingbird) by telephoning the Drama Studio Ticket Line on:\u00a0(09) 3737599 ext 84 226.\u00a0Please leave a contact phone number when you book.\u00a0Method of payment: CASH ONLY at the door at the time of performance.\u00a0All reserved tickets should be collected 15 minutes prior to the start of the performance to guarantee admittance.\u00a0The University may re-sell any tickets not collected by this time.\u00a0Performances may be subject to change. Please contact the Ticket Line to confirm details.\u00a0For <em>Oh, What a Lovely War!<\/em>, <em>That\u2019s the Story<\/em>, <em>Morning Glory<\/em> and <em>Mockingbird<\/em> please book through the Maidment booking line (09) 308 2383. A transaction fee may apply when you book through this line.<\/p>\n<h1><\/h1>\n<p>&nbsp;<\/p>\n<h1><strong>New and Exciting<\/strong><\/h1>\n<p><span style=\"text-decoration: underline\"><b>E(LAB)ORATING PERFORMANCE<\/b><\/span><\/p>\n<p>In semester 1 2014, the Massey University Expressive Arts paper &#8216;<i>139.220 Applied Theatre&#8217;\u00a0<\/i>will be delivered as part of a transnational teaching and learning project entitled\u00a0<b><i>e(LAB)orating Performance<\/i><\/b>. The project is an ongoing collaboration between Dr. Rand Hazou &#8211; Massey University (New Zealand), Nandita Dinesh &#8211; UWC Mahindra College (India), Sara Matchett &#8211; University of Cape Town (South Africa), and Nicola Cloete &#8211; University of the Witwatersrand (South Africa). The pilot project is funded by the Brown University International Advanced Research Institute (BIARI) on &#8216;Theatre and Civil Society\u2019. The project seeks to facilitate creative engagements by students enrolled at participating institutions to foster conversations around performance praxis and collaborative pedagogies. As part of this project, Dr. Rand Hazou attended a curriculum\u00a0development\u00a0meeting in Pune, India in\u00a0January. As a result, students enrolled in the paper\u00a0<i>139.220 Applied Theatre<\/i>\u00a0will be encouraged to interact with students in India and South Africa. As part of a short creative exercise entitled \u2018Performing the Self(ie)\u2019 Massey students will be required to write a short monologue based on pictures or \u2018selfies\u2019 that students at UWC Mahindra College will provide. The task encourages students to respond creatively to ideas around performing racial and engendered identity and consider the status of a \u2018picture\u2019 as a document. The monologues that are created will then be \u2018fed-back\u2019 to students in India who will respond with short performances based on the texts.\u00a0<b><i>e(LAB)orating Performance\u00a0<\/i><\/b>will also give Massey students the opportunity to collaborate with youth in Cape Town, South Africa as part of the verbatim theatre group project. As part of this task, students will be given the opportunity to interview youth from the Langeberg Youth Arts Project in South Africa. The Langeberg Youth Arts Project is an initiative of\u00a0<i>The Mothertongue Project<\/i>, an NGO co-founded by Sara Matchett who is one of the lead researchers on the e(LAB)orating Performance project. This exciting and ambitious project will help consolidate international networks in teaching and research and offer new opportunities for transnational collaboration. This a project that will potentially offer exciting new models of pedagogy and education delivery that will help foster transnational citizenship and engagement.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline\"><strong>\u2018New Bachelor of Performing Arts Up and Running at the U<\/strong><strong>niversity of<\/strong><strong> Otago\u2019<\/strong><\/span><\/p>\n<p>The newly created Bachelor of Performing Arts (BPA) at The University of Otago has recently accepted its first intake of 22 students. This distinctive, exciting collaboration between the university&#8217;s programmes in Theatre, Music and Dance gives students a rare opportunity to study more than one performing art form \u2013 music, theatre and dance \u2013 within a single named specialist university degree.\u00a0Students will be guided to develop their knowledge and skills in areas such as acting, dance, directing, devising, bicultural theatre, music performance (singing or instrument), composition, song-writing, technical production and the theoretical foundations of Theatre, Music and Dance. The BPA includes conservatoire training in classical or contemporary vocal or instrument and composition &#8211; previously only available to those undertaking the specialist Bachelor of Music. The degree is housed within the Department of Music and Theatre Studies and also offers teaching staff the opportunity to work across multiple disciplines. For any queries, please contact:\u00a0<strong>Dr. Suzanne Little &#8211;\u00a0<\/strong>Bachelor of <a href=\"http:\/\/www.otago.ac.nz\/performingarts\">Performing\u00a0Arts Degree<\/a> Programme Coordinator,\u00a0<a href=\"http:\/\/www.otago.ac.nz\/theatrestudies\">University of Otago<\/a>.\u00a0<strong>Email<\/strong>:\u00a0<a href=\"mailto:suzanne.little@otago.ac.nz\">suzanne.little@otago.ac.nz<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline\"><strong>Workshop with international performance artist VIOLETA LUNA<\/strong><\/span><strong>.\u00a0<\/strong><em><strong>The Body in Action: Paths Towards a Personal Cartography<\/strong><\/em><\/p>\n<p>This workshop has been created for artists of performance, dancers, actors, spoken word or visual artists interested in performance art and in exploring the intersection of the personal, the theatrical and the political through stage actions. Workshop participants will make use of their personal memory and identity as the expressive territory where they will chart a vocabulary of stage actions. Drawing on their use of body, participants will also work on imagery related to their individual and social understanding of gender, sexuality and race.\u00a0Some thematic threads in the workshop include: Body (fiction and non-fiction, presence and inner strength, body as subject\/object;) Space (internal and external, spatial relationships, the intervention of public and private space;) Time (real-time, fictional-time, ritual-time;) Action (site-specific, action \u2013 reaction, responses to real and imagined stimuli, audience interaction, the creative accident.)<\/p>\n<div id=\"attachment_267\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/Unknown.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-267\" class=\"size-medium wp-image-267\" src=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/Unknown-300x198.jpeg\" alt=\"Unknown\" width=\"300\" height=\"198\" srcset=\"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/Unknown-300x198.jpeg 300w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/Unknown-1024x678.jpeg 1024w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/Unknown-100x66.jpeg 100w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-267\" class=\"wp-caption-text\">Photo: Nora Raggio<\/p><\/div>\n<p>Who should apply<strong>:<\/strong>\u00a0Professional or students of performance, spoken-word, actors, dancers and visual artists. All applicants should have a basic understanding of the discipline of performance art.\u00a0Wellington, June 21-23,\u00a0Massey University Wellington. Limited to 16 places.\u00a0$150 per participant. To register interest, please Email Emma Willis: <a href=\"mailto:emmacreagh@gmail.com\">emmacreagh@gmail.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<h1><strong>Publications<\/strong><\/h1>\n<p><em><b>Theatricality, Dark Tourism and Ethical Spectatorship:\u00a0<\/b><\/em><b><em>Absent Others <\/em>by\u00a0Emma Willis<\/b><\/p>\n<p>Palgrave Macmillan, 2014<\/p>\n<p><a href=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/ShowJacket.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-274\" src=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/ShowJacket.jpg\" alt=\"ShowJacket\" width=\"155\" height=\"245\" srcset=\"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/ShowJacket.jpg 155w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/ShowJacket-100x158.jpg 100w\" sizes=\"auto, (max-width: 155px) 100vw, 155px\" \/><\/a><\/p>\n<p>About the book<\/p>\n<p><em>Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others<\/em> builds upon recent literature concerning theatre and ethics and offers a uniquely interdisciplinary approach. With a focus on spectatorship, it brings together analysis of dark tourism \u2013 travel to sites of death and disaster \u2013 and theatrical performances. At dark tourism sites, objects and architecture are often personified, imagined to speak on behalf of absent victims. Spectators are drawn into this dialogical scenario in that they are asked to &#8216;hear&#8217; the voices of the dead. Theatrical performances that depict grievous histories similarly gain power through paradoxically demonstrating the limits of their representational ability: spectators who must grapple with absences and incomprehensibilities. This study asks whether playing the part of the listener can be understood in ethical terms. Sites surveyed span a broad geographical scope \u2013 Germany, Poland, Vietnam, Cambodia, New Zealand and Rwanda \u2013 and are brought into contrast with performances including: Jerzy Grotowski&#8217;s <em>Akropoli<\/em>s, Catherine Filloux&#8217;s <em>Photographs from S21<\/em>, Adrienne Kennedy&#8217;s <em>An Evening with Dead Essex<\/em> and Erik Ehn&#8217;s <em>Maria Kizito<\/em>.<\/p>\n<p>Contents<\/p>\n<p>Notes for the Traveller: An introduction to the Journey Ahead1. Landscapes of Aftermath2. Performing Museums and Memorial Bodies: Theatre in the Shadows of the Crematoria3. Vietnam: &#8216;Not the Bullshit Story in the Lonely Planet&#8217;4. Here was the place: (Re)Performing Khmer Rouge Archive of Violence5. Lost in our own Land: Reenacting colonial Violence6. The World Watched: Witnessing GenocidePhantom SpeakWorks Cited<\/p>\n<p>Reviews<\/p>\n<p>&#8220;Emma Willis&#8217;s worthy project, Theatricality, Dark Tourism and Ethical Spectatorship, places works for the theatre in dialogue with place-based memorials. Willis offers us practice-centered analysis for diverse objects of study. Following Willis as she takes on the challenges of these ethical\/aesthetic encounters, readers will appreciate the book&#8217;s thorough research, sound argumentation, and elegant prose. An ambitious project effectively realized, this is insightful scholarship about a timely subject.&#8221; &#8211; Laurie Beth Clark, University of Wisconsin, USA<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Applied Drama\/Theatre as Social Intervention in Conflict and Post-Conflict Contexts <\/em>edited by\u00a0<span style=\"line-height: 1.5em\">Hazel Barnes and Mari\u00e9-Heleen Coetzee<\/span><\/strong><\/p>\n<p>Cambridge Scholars Publishing,\u00a02014.<\/p>\n<p><a href=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/APPLIED-DRAMA.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-284 alignnone\" src=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/APPLIED-DRAMA.jpeg\" alt=\"APPLIED DRAMA\" width=\"200\" height=\"280\" srcset=\"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/APPLIED-DRAMA.jpeg 214w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/APPLIED-DRAMA-100x140.jpeg 100w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p>About the Book<\/p>\n<p>This book explores the use of drama or theatre texts about, as approaches to, or methodologies for, interventions in conflict and post-conflict contexts. It maps the role of drama\/theatre in the centre and in the aftermath of overt and direct conflict, traces how the relationship between drama\/theatre and conflict is shaping the socio-cultural, political, and aesthetic landscapes of these contexts, and engages with drama\/theatre as methodologies to address or forge new relationships around conflict. As such, it deals with the transformative abilities of drama\/theatre in contexts where conflict or violence is overt or covert in its effects, expressions and modes of social control in a range of geographical constituencies. It includes chapters predominantly from South Africa, but also from rural Nigeria and New Zealand, reflecting work on conflict in prisons, tertiary and secondary education, cities, villages and families. It also contains two new original play scripts, both resulting in acclaimed performances: <em>Hush<\/em>, on family violence in New Zealand, and <em>The Line<\/em>, on xenophobia in South Africa.<\/p>\n<p><span style=\"line-height: 1.5em\">\u00a0<\/span><\/p>\n<h1><strong>Conferences\/Scholarships\/Prizes<\/strong><\/h1>\n<p>CFP: ADSA Conference 2014 &#8211;\u00a0<a href=\"http:\/\/www.adsa.edu.au\/conferences\/next-conference\"><b><span style=\"text-decoration: underline\">Restoring Balance: Ecology, Sustainability, Performance<\/span><\/b><\/a>, hosted by Victoria University of Wellington and Massey University, New Zealand, 25-28 June 2014.<\/p>\n<p>The Australasian Association for Theatre, Drama and Performance Studies (ADSA) has issued a call for papers for the annual conference in June 2014.\u00a0Confirmed Keynotes at the conference include Ric Knowles, Mexican performance artist Violeta Luna, and Baz Kershaw ( via virtual attendance).\u00a0Please remember that a recurring highlight of the conference is the\u00a0\u2018New Zealand Delegates Dinner\u2019\u00a0that provides NZ theatre scholars and practitioners a chance to meet, caucus and socialise.\u00a0ADSA is also seeking nominations for <a href=\"http:\/\/www.adsa.edu.au\/prizes.\">ADSA prizes<\/a> in 2014.\u00a0ADSA recognises outstanding scholarship in different areas of theatre, drama and performance studies through the following awards:<\/p>\n<ul>\n<li>Marlis Thiersch Prize &#8211; for research excellence in an English-language article published anywhere in the world in the broad field of theatre and performance studies.<\/li>\n<li>Philip Parsons Prize &#8211; for a senior student (third year, honours or postgraduate) undertaking a performance as research project.<\/li>\n<li>Rob Jordan Prize &#8211; \u00a0for the best book on a theatre, drama or performance studies related subject published in the previous two years.<\/li>\n<li>Veronica Kelly Prize &#8211; for the Best Postgraduate Paper presented at an ADSA conference.<\/li>\n<li>Geoffrey Milne Bursary &#8211; to assist two eligible postgradutes to attend each ADSA conference<\/li>\n<\/ul>\n<p>Get your applications in for\u00a0the prize now\u00a0\u2013\u00a0or if you know someone who should be considered for a prize\u00a0\u2013\u00a0please nominate them as soon as possible.<\/p>\n<p>&nbsp;<\/p>\n<h1><strong>Upcoming Seminars<\/strong><\/h1>\n<p><em><b>&#8216;When Shakespeare Was New: Reading the 1623 Folio&#8217; <\/b>by<\/em>\u00a0Dr Emma Smith (University of Oxford) &#8211; \u00a0Alice Griffin Shakespeare Fellow 2014.<\/p>\n<p>Thursday 3 April, 6.30pm.\u00a0Old Government House Lecture Theatre The University of Auckland<\/p>\n<p><a href=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/378px-Title_page_William_Shakespeares_First_Folio_1623.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/378px-Title_page_William_Shakespeares_First_Folio_1623-189x300.jpg\" alt=\"378px-Title_page_William_Shakespeares_First_Folio_1623\" width=\"189\" height=\"300\" \/><\/a><\/p>\n<p>Early readers of Shakespeare encountered almost half of his works for the first time in the collected plays of 1623, the First Folio. The Tempest, Julius Caesar, Macbeth and Twelfth Night were among the plays first printed here. Dr Smith discusses how readers \u2013 actual and imagined \u2013 engaged with this \u2018big book\u2019 and its individual plays, using manuscript annotations and other evidence to understand what it was like to read these works in such a large format. Whereas most studies of the First Folio have been concerned with its production, this lecture looks at reception and about the way the book engages, and sometimes bewilders, its readers.<\/p>\n<p><strong>Dr Emma Smith (Hertford College, Oxford University)\u00a0<\/strong><\/p>\n<p><a href=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/emma-smith.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-275\" src=\"http:\/\/sites.massey.ac.nz\/wp-content\/uploads\/sites\/22\/2014\/03\/emma-smith-300x290.jpg\" alt=\"emma-smith\" width=\"155\" height=\"151\" srcset=\"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/emma-smith-300x290.jpg 300w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/emma-smith-100x96.jpg 100w, https:\/\/sites.massey.ac.nz\/expressivearts\/wp-content\/uploads\/sites\/22\/2014\/03\/emma-smith.jpg 679w\" sizes=\"auto, (max-width: 155px) 100vw, 155px\" \/><\/a><\/p>\n<p>Dr Emma Smith (Hertford College, Oxford University) is the author of <em>The Cambridge Introduction to Shakespeare<\/em>, of a series of Guides to Criticism of Shakespeare\u2019s plays, and of <em>30 Great Myths About Shakespeare<\/em> as well as of numerous scholarly articles on topics such as \u201cHamlet and Consumer Culture\u201d and \u201cWas Shylock Jewish?\u201d. She is currently Lecturer in Renaissance Literature at Oxford University and is a regular podcaster on Shakespeare.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editorial Welcome to the inaugural edition of NUTS NZ &#8211; the Newsletter for University Theatre Studies New Zealand.The purpose of the newsletter is to help us\u00a0communicate more effectively as a community of scholars interested in Theatre and Performance. We hope this initiative will insure we are better able to support each other, collaborate together, and [&hellip;]<\/p>\n","protected":false},"author":66,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[109,13],"tags":[],"class_list":["post-265","post","type-post","status-publish","format-standard","hentry","category-nuts-nz-newsletter","category-theatre"],"_links":{"self":[{"href":"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-json\/wp\/v2\/posts\/265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-json\/wp\/v2\/users\/66"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-json\/wp\/v2\/comments?post=265"}],"version-history":[{"count":28,"href":"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-json\/wp\/v2\/posts\/265\/revisions"}],"predecessor-version":[{"id":717,"href":"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-json\/wp\/v2\/posts\/265\/revisions\/717"}],"wp:attachment":[{"href":"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-json\/wp\/v2\/media?parent=265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-json\/wp\/v2\/categories?post=265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.massey.ac.nz\/expressivearts\/wp-json\/wp\/v2\/tags?post=265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}