Category Archives: Palmerston North

Yet another win for Massey Playwright

Blue balloon dream a second-time winner for Massey playwright

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Associate Professor Angie Farrow

 

 

 

 

 

 

 

 

 

 

 

 

 

Angie Farrow’s short play ‘The Blue Balloon’ has won Best Wildcard Award at the Sydney Short and Sweet Festival Gala Finals in March.  This is the biggest short play festival in the world with over 1,000 international entries.  The Blue Balloon won two ‘Judges Choice’ competitions before being selected for the finals.

The Blue Balloon has also previously won first prize in a Canadian international playwriting competition, the Toronto-based InspiraTO Theatre Contest, in 2013.

The play – metaphorical and surreal – is about a relationship breakdown, and sees the grieving male protagonist releasing a blue balloon that engulfs his city and its inhabitants. The balloon is a liberating presence, prompting characters to think, say, feel and do things they hadn’t thought possible.The story, inspired by writer Ronald Bartlheme’s The Red Balloon and influenced by the likes of Irish playwright Samuel Beckett, takes an imaginative punt on the existential notion of how to free the human psyche so it can revel in pure visionary, expressive wonder.

“The blue balloon is a metaphor and is antidote to the usual constraints, rules and conventions that prevent us being more expansive, and more truly alive,” Dr Farrow says.

Dr Farrow says she loves the idea of short theatre tackling bold, challenging ideas in a short space of time. And she reckons the short play might be entering its heyday, with busy lives and short attention spans demanding artistic satisfaction in smaller chunks.

Describing short plays as “haiku theatre where you say big things in small spaces,” she says her success is particularly pleasing because there are so few competitions for playwrights.

“It’s a frustrating area in that sense. There are dozens of competitions for short stories, but for theatre there are very few – they are like gold,” says Dr Farrow, who has written 10 short plays, including prize-winners such as Tango Partner, Falling and Lifetime.

Writers Week partners with the School of English and Media Studies

School of English and Media Studies Partners with the New Zealand Festival of the Arts

The School of English and Media Studies 2014 Writers Read series kicked off in style last week with a partnership with the New Zealand Festival of the Arts Writers Week. Massey partnered with Writers Week to host New Zealand events in Wellington and Palmerston North for world-renowned Indian-born Canadian novelist, Jaspreet Singh. School lecturer, Stuart Hoar, also launched his new play, PASEFIKA, at Circa Theatre as part of the wider festival, and two new novels by School tutors were launched at Writers Week, Tina Makereti’s Where the Rēkohu Bone Sings and Mary McCallum’s Dappled Annie and the Tigrish

Massey’s School of English and Media Studies 2014 Writers Read series kicked off in style last week with a partnership with the New Zealand Festival of the Arts Writers Week. Massey partnered with Writers Week to host New Zealand events for world-renowned Indian-born Canadian novelist, Jaspreet Singh. In Wellington Jaspreet joined Senior Lecturer, Dr Ingrid Horrocks, in conversation about his latest novel, Helium. The novel sifts through the anti-Sikh pogroms that took place in India in 1984 and “teases out the complicated intersection of family, love, politics, and hate” (Publishers Weekly). The event was held at the Embassy Theatre and attracted a large, attentive audience. The School also brought Jaspreet to Palmerston North, where he spoke at the Palmerston North City Library on Friday night, also as part of our Writers Read series.

The School’s own media script writing lecturer, Stuart Hoar, was also a featured guest at Writers Week, and followed this by opening the Wellington end of our Arts on Wednesdays events in Wellington, now in their third year. Stuart talked about his new play, PASEFIKA, playing at Circa Theatre as part of the wider New Zealand Festival of the Arts.

Two of our current teaching staff also launched and celebrated new books during Writers Week: Dr Tina Makereti’s launched her first novel, Where the Rēkohu Bone Sings and Mary McCallum her first novel for children, Dappled Annie and the Tigrish. Tina and Mary have both been working for the School of English and Media studies for many years, and have contributed to our fiction and life writing papers. Our in-coming Artist-in-Residence, Alice Miller, also a former Massey tutor, launched her first collection of poetry, The Limits.

In other Massey involvement with the 2014 Writers Week in Wellington city, Dr Horrocks hosted an edgy event on Jane Austen with Walter A. Haas Professor in the Humanities at Stanford, Terry Castle, once described by Susan Sontag as “the most expressive, most enlightening literary critic at large today”; while Professor Peter Lineham, of the School of Humanities, convened a conversation with Diarmaid MacCulloch, one of Britain’s most distinguished living historians and Professor of History of the Church at the University of Oxford.

Congratulations to all involved!

writers week ems

“Hemi’s Way” by TJ Hoekstra is recognised by the 2013 Pikihuia Awards

The School of English and Media Studies is proud to announce that former creative writing student TJ Hoekstra (nee Corrigan) has had her story ‘Hemi’s Way’ recognised by the 2013 Pikihuia Awards and published in Huia Short Stories 10. Please visit the Huia Publiishers page for more information: https://www.huia.co.nz/shop&item_id=5226

Palmerston North Media Lab Refurbishment

For the beginning of the 2014 academic year the media lab at Massey’s Palmerston North Campus has seen an extensive refurbishment, which has seen both production and post-production equipment overhauled.

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In terms of production equipment, the lab, which is used during media practice and expressive arts papers including media practice I and II, creative communication, creative processes, new media and digital cultures and documentary filmmaking, has been kitted out with Canon 70D DSLRs which will be used to teach both still photography and HD video and Canon C100 cinema cameras, which belong to Canons prestigious Cinema series, other models of which were used on feature films nominated for this year’s best cinematography Oscar. Alongside the new, high definition solid-state cameras there are new shotgun microphones, solid state sound recorders and fluid-head tripods.

For post-production, the lab has been equipped with workstation class computers with a dual full HD monitor setup, which will run a range of industry-standard production software including Adobe Lightroom, Photoshop, Premiere and After Effects alongside Avid Media Composer and Davinci Resolve for high end video post-production.

Manawatu Summer Shakespeare 2014

 

Shakespeare-2014“As You Like It”, the 12th annual Manawatu Summer Shakespeare show, will run from March 6 to 15, takes a slightly different approach to its original version. Set in the forest at the Esplanade, Grant Mouldey’s version portrays nature as an equal force against culture. This, he says, creates a robust, dynamic force that challenges the characters’ development in new ways and makes them more resilient.

“The show focuses on how the forest can really open people up and transform with love, and the Esplanade is a great location for demonstrating this.”

Mouldey comes from an extensive theatre background and has toured the world with his performances. His artist-in-residency, which began in November last year, marks the re-birth of his career in New Zealand after 30 years living offshore.  which will run from March 6 to 15, takes a slightly different approach to its original version. Set in the forest at the Esplanade, Mouldey’s version portrays nature as an equal force against culture. This, he says, creates a robust, dynamic force that challenges the characters’ development in new ways and makes them more resilient.

“The show focuses on how the forest can really open people up and transform with love, and the Esplanade is a great location for demonstrating this.”

Mouldey comes from an extensive theatre background and has toured the world with his performances. His artist-in-residency, which began in November last year, marks the re-birth of his career in New Zealand after 30 years living offshore.

Full article at http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=99189411-9E1F-43FF-0872-E910CAC0C020

Emily Duncan’s script Eloise in the Middle takes Plays for the Young, Playmarket in New Zealand competition.

Past 139.763 Community Theatre student’s script takes Playmarket, New Zealand competition.

Emily Duncan was awarded for the 2013 Plays for the Young 3-8 year old category for her script Eloise in the Middle. Playmarket will offer  script development resources, as appropriate, and her script will be entered into the Script Register, making them available for circulation to potential producers. This is a significant achievement given the limited number of playwriting competitions both here and overseas.  Since Emily was a Massey student in 139.763, Community Theatre; she has since gone forward with playwriting.

In 2010 Duncan was selected to be one of the ten playwrights to attend the Playmarket Playwrights’ Retreat over eight days in July at Otaki. The script she developed there, Southern Comfort, won the 2010 Dunedin Write Out Loud competition.

Dunedn-based, Duncan is a writer, copyeditor and teacher, and also acts and directs for theatre. Read more about Emily at Playmarket http://www.playmarket.org.nz/playwrights/emily-duncan

Professing Creativity: Teaching Creative Writing in Aotearoa Conference

Professing Creativity: Teaching Creative Writing in Aotearoa

 Dates: Wednesday 12 February– Friday 14 February 2014

Venue: Massey University, Wellington Campus

Call for papers

What is the state of teaching Creative Writing in New Zealand? What standards do we share? Where is the discipline headed and what are we doing about it?

This conference will serve as an initial discussion about some of the foundational issues around our diverse and emerging discipline in Aotearoa. Is it diverse, for instance? Is it a discipline? Is it emerging? Arising out of issues around expectations for creative theses, the conference has a special focus on postgraduate issues in Creative Writing. Professing Creativity will also feature a panel discussion on creative writing, which will join national and international teachers in a dialogue around some of the big issues in the field.

By 15 November, 2013 submit a 300 word abstract related to the following themes:

Purpose of the profession: what is creative writing in New Zealand today? What will it be tomorrow?

 

Marrying creative & critical: What is a creative-critical thesis? What expectations do we have as supervisors and examiners?

 

Biculturalism in the Classroom: How do issues of Maori identity and access shape our teaching? What changes are needed?

 

Writing in the Tower: In what ways does creative writing as postgraduate research differ from creative writing outside of the academy?

 

Doctor of What: What is the creative PhD and what should it be? What issues do we face in the moderation and examination of creative work? What distinguishes the creative PhD from the Masters?

 

Playing it Loose: What role do theatre and media script writing have in Creative Writing?

 

Where in the World: How does teaching in New Zealand fit into an international context?

 Key Note Speakers

Joan Connor, University of Ohio

Michele Leggott, University of Auckland

Kevin Brophy, University of Melbourne

Angie Farrow, Massey University

Panel Chair: Damien Wilkins, International Institute of Modern Letters

 Registration Costs

Standard conference registration: $60

Student registration: $25

Visitor day rate: $30

An additional fee will apply for those who’d like to attend the conference dinner.

Online registration details will be available from 1 December.

 Creative Writing Consortium

The Professing Creativity Conference is also intended as the kick-off for an ongoing consortium of creative writing teachers intended to keep the discussion active and assist us with such practical issues as finding examiners for postgraduate work. If you’re unable to attend the conference but would like to be involved in the consortium, please contact Nicholas Allen (nicholas.peter.allen@gmail.com) and let him know.

Key Dates

 15 November, 2013: Abstracts due

 1 December, 2013: Online Conference registration open (early bird rates apply)

 26 January, 2014: Online Conference registration closes (additional registration available during the conference)

 12 February – 14 February: Professing Creativity Conference

 Contact

Please send abstracts and general enquiries to Conference Coordinator, Nicholas Allen, at nicholas.peter.allen@gmail.com

 Professing Creativity Conference Committee

Thom Conroy Jack Ross
Angie Farrow Bryan Walpert
Joy GreenClaire Grant Tina MakeretiJulie McKenzie

 

‘Daffodils’ poem by Sue Wootton wins 2013 Cancer Council Victoria Arts Award

MCW student wins the 2013 Cancer Council Victoria Arts Award with her poem ‘Daffodils’

Current Massey Masters of Creative Writing student Sue Wootton has won the poetry section of the 2013 Cancer Council Victoria Arts Awards with her poem ‘Daffodils’. The award was judged by prominent Australian poet Jennifer Harrison, who said, ‘‘Daffodils’ is a formally elegant poem in which subtle slant rhyme, extended metaphor and thoughtful pacing entice the reader emotionally into the poem. When reading this poem, one embraces the solitude, renewal and resilience of human experience more widely than before. An outstanding entry, this poem is full of delicate wisdom. Although Wordsworth is not explicitly referenced I like the way this poem resonates with the history of poetry, with the recurring, seasonal ‘daffodil’ in poetry, especially with Wordsworth’s ‘host of golden daffodils’.

The Cancer Council Victoria awards are held annually and include categories for visual arts, film, fiction and poetry.http://www.artsawards.com.au/about

A former physiotherapist, Sue has a long-standing interest in the intersection of science and the humanities generally, and poetry and medicine in particular. Earlier this year she shared second prize in the 2013 International Hippocrates Prize for Poetry and Medicine for her poem ‘Wild’.  Working with her supervisor Thom Conroy, Sue is midway through a critical-creative thesis which includes an extract from an upcoming novel.

Writers Read Series 2013

The Writers Read  series, founded in Palmerston North 2006 by Massey senior lecturer Bryan Walpert, supports creative writing and introduces the public to some of the country’s finest writing. It has since grown to include Massey’s Albany and Wellington campuses, where it is coordinated by Jack Ross and Ingrid Horrocks respectively.

The 2013 the series has included some of New Zealand’s finest writers, including CK Stead, Emily Perkins, Sue Orr, Anna Jackson, Helen Lehndorf, Robert Sullivan, and Jo Randerson. Other notable writers who have taken part in events over the years include Witi Ihimaera, Jenny Bornholdt, Karlo Mila, Bill Manhire, Elizabeth Knox, Vincent O’Sullivan, James George, Laurence Fearnley, James Norcliffe and Elizabeth Smither, as well as a number of Massey’s teaching staff.

Read more…

Kapiti Writers Read

http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=3A153F99-D675-F1D6-1023-95FA0A7C5B47

 

Creative writing pioneer speaks at Albany campus

http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=2D2294C9-0332-2182-5053-F67F1579EC71

 

Writers Read Albany: Robert Sullivan

http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=FECDEF4D-E93C-9429-218D-C7BB37F0836A

 

NZ literary stars at Massey in Writers Read series

http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=698BCA4F-FA34-3D07-EA1B-A2AB49488D2B

 

CK Stead presents his poetry at Writers Read

http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle=ck-stead-presents-his-poetry-at-writers-read-20-03-2013

Massey Poet Bryan Walpert shortlisted for the Montreal International Poetry Prize

Massey Poet shortlisted for the Montreal International Poetry Prize

Manawatū’s iconic wind turbines are the central metaphor in the poem Aubade by Massey University creative writing senior lecturer Dr Bryan Walpert that was short-listed for the C$20,000 Montreal International Poetry Prize.
Article link  http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=9D6C51DD-E523-7E0F-1104-9EE2A01E5A6F