The Wellington ‘creative campus’ ACE (Achieving Career Excellence) women students’ leadership program had a special twist this year by collaborating with Arts on Wednesday to bring creative women entrepreneurs from the arts sector to the speaker line-up.
Dame Deirdre Tarrant (Companion of the New Zealand Order of Merit) kicked the program off with an incredibly frank and entertaining talk about her life and work as a dancer, choreographer, business owner and mentor.
The following week featured a visit from Jo Randerson, artistic director of Barbarian Theatre and award-winning New Zealand playwright. Jo talked about building a successful arts company from the ground up and generating new project opportunities through crowdfunding.
The third speaker was Massey University’s own communication leader, Lana Simmons-Donaldson, who is Massey’s Account Manager – Māori, Pasifika and New Migrants. She shared moving personal insights into leadership and perseverance, and particularly issues for Māori women leaders.
Originally developed by Professor Sarah Leberman at Manawatu, and delivered at Wellington by Associate Professor Elspeth Tilley (College of Humanities & Social Sciences) and Anna Brown (College of Creative Arts), ACE is a five-week programme for specially selected final-year women students. It explores issues for women in the workforce, such as assertiveness and gender-pay equity, and gives women students some insights into and positive strategies for handling gender-related challenges they might encounter.
“We tune the program carefully every year in response to participant feedback,” Dr Tilley said. “Last year our business students were very well catered for with fantastic organisation-based speakers, so this year we wanted to add something responsive to the needs expressed by creative arts and humanities students about work models that are not necessarily organisation-based.”
Dr Tilley said the focus for graduating students was often on employability, but it was important, particularly in the creative industries, to also foster what she called “employerability”, that is, the ability to generate projects and companies that employ others.
“Our speakers were so inspiring – they have taken risks, made sacrifices, and contributed to our culture and society in completely novel ways. Creative entrepreneurship has a set of challenges all its own, and it was great to balance that this year with the traditional organisation focus.”
The ACE program also includes exercises and activities on life-planning, assertiveness, work/life balance and managing workplace situations. Students are selected for the second-semester program based on both academic and extracurricular leadership, and receive a letter of invitation at the end of first semester. This year, the speaker portions of the program were also open to members of the public and the Wellington campus community. “These speakers are so great, we didn’t want to keep them all to ourselves,” Dr Tilley said.
Category Archives: Events
The Kete Series – Manawatu Poetry Book Launch
Poetry, publishing and a ‘back-to-basics’ approach to doing business come together this Friday night when three Manawatū poets (and their books) shake off their dust-jackets to reveal the colour and creativity that ‘thinking local’ can bring to our community.
Award-winning weavers-of-words Tim Upperton, Joy Green and Leonel Alvarado along with HauNui Press, Swampthing Magazine and the Palmerston North City Library present an evening of poetry readings, music and mild mayhem – all in the name of National Poetry Day. Starting at 5.30pm, this launch of the new Kete Series home-grown poetry books is just one of the more than 60 events being held around the country to celebrate National Poetry Day. Reading poems from their books, Tim, Joy and Leonel, will in turn recite, excite and reunite audiences on the night with all that poetry can offer.
For the poetry lover, the three books will be available in a limited edition ‘basket set’. Cradled in a kete crafted by local Manawatū weavers, according to publishers HauNui Press “it’s the ultimate traditional tote packed full of juicy poetry goodness!”. In a press release David Lupton, event organiser of Palmerston North-based boutique publisher HauNui Press, noted that ‘We’ve come to think of our approach to book-making as ‘slow publishing’! Along the lines of the ‘slow food’ movement, slow publishing looks to support our local economy by using suppliers in our backyard and respecting the relationship side of transactions, kind of like the way local markets support gate-to-plate dealings between home cooks and growers. For us, it’s the ink-slinger to book-lover connections that are key.’ The books retail for $20 a copy and $80 for a limited edition ‘Kete Set’, which bundles the three titles together inside a traditional tote. The publishers spurned traditional boxed book sets in favour of beautiful flax kete woven specially for the project by another talented local group, Raranga Manawatū, based out of the Highbury Weaver’s Centre. Books and Kete Sets will be available at the launch or from all good booksellers nationwide (or online at www.haunuipress.co.nz) after 22 August.
- What: Book launch
- Where: the Palmerston North City Library
- When: 5.30pm on Friday 22nd August – National Poetry Day.
For more information read this article in this weeks Tribune http://thetribune.realviewdigital.com/?IID=99786&STARTPAGE=PAGE0000001&ArticleTitle=294068#folio=1
Or, visit the event page for the launch on Facebook: https://www.facebook.com/events/508914752585277/
The Naturalist Book Launch
Friday 15th August saw the launch of a Massey University creative writing senior lecturer Thom Conroy’s novel the Naturalist at Palmerston North City Library, with over 150 people in attendance. The book launch featured a reading from Dr Conroy, and introductions from the Head of the School of English and Media Studies Joe Grixti and well known poet Helen Lehndorf. The book is currently at number two on the New Zealand fiction bestseller list.
The Naturalist tells the tale of Dr Ernst Dieffenbach – a liberal-minded, free-spirited 19th century German physican, geologist and naturalist who studied New Zealand’s wildlife, plants and people, was fluent in Māori and considered all races to be equal – was a man ahead of his time.
His views seem more in line with contemporary thinking on issues such as race relations and democracy, which is partly what fascinated Dr Thom Conroy. The result is his first, just-published novel The Naturalist (Penguin Random House Books).
Dr Conroy says he was struck by what he read about Dieffenbach while researching natural history for another project. He felt the German deserved more attention in light of his colourful personality and experiences at the onset of New Zealand’s colonisation.
Expelled from Germany for supporting a subversive pro-democracy revolutionary student movement and for duelling, Dieffenbach wound up in London and was appointed as naturalist aboard the controversial 1839 expedition of the Tory.
His ship mates included Colonel William and his nephew Jerningham Wakefield of the New Zealand Company, who were off to buy land from Māori for British settlers without the consent of the Crown. Charles Heaphy, artist and draughstman for the New Zealand Company, was aboard too.
Dieffenbach had strong views on colonisation, which clashed with orthodox views at the time and made for heated debate during the gruelling three-month voyage. Also on board was Nahiti, a young Māori returning home from London having left New Zealand on a whaling ship. His friendship with the German naturalist confirmed Dieffenbach’s conviction that humans were equal, whatever their skin colour.
While he may be known to a few historians through his two volume narrative Travels in New Zealand, Dr Conroy says Dieffenbach has been overlooked. “The more I read about him, the more I felt he needed to be rescued from the margins of history.”
He includes a striking quote at the opening of the book from the second volume of Dieffenbach’s Travels in New Zealand: “I am of the opinion that man, in his desires, passions, and intellectual faculties, is the same, whatever be the colour of his skin; that mankind forms a great whole, in which the different races are the radii from a common centre; and that the differences which we observe are due to particular circumstances which have developed certain qualities of body and mind.”
Such views were unusually enlightened for his time, and in contrast to those of the theory of evolution founder Charles Darwin, who makes a cameo appearance in the novel. He believed Māori were of a “lower order”.
The novel focuses on Dieffenbach’s 18-month stay in New Zealand, weaving a compelling narrative around his discoveries, explorations – he was the first European to ascend Mt Taranaki – and encounters with land, nature and people. The story vividly evokes the extraodinary pioneering sea voyage into unknown territory, and spans the Northern and Southern hemispheres to encompass his personal life and love interests in Germany, London and New Zealand.
American-born Pennsylvanian Dr Conroy, who has lived in New Zealand for nine years, drew on extensive historical records and research for the book, inventing scenes and additional minor characters to bring the German’s remarkable personality and story to life.
He hopes his fictional rendition of Dieffenbach’s story will have wide appeal – especially to those intrigued by influential yet marginalised historical figures who provide fresh clues to the tangents and nuances of New Zealand’s colonial history.
Balancing the tension between fact and fiction to produce a compelling and authentic story was one of the main creative challenges of the book, which he completed after more than 30 drafts, he says.
But such literary challenges have a positive spin-off. Discussing them enlivens his creative writing classes and supervision of Master of Creative Writing students. “When I’m sitting in a class or workshop discussing work with students, we’re there as people, as writers. We understand what we each are going through and can learn from each other.”
Dr Conroy’s short fiction has appeared in various journals in the US and New Zealand, including Landfall, Sport, New England Review, Alaska Quarterly Review, and Kenyon Review. He has won the Katherine Anne Porter Prize in Fiction and his writing has been recognised by Best American Short Stories 2012 as well as the Sunday Star-Times Short Fiction Competition.
He and his School of English and Media Studies colleague Dr Tina Dahlberg, who publishes under the name of Tina Makereti and also teaches creative writing papers at Massey’s Manawatū campus, are two of only only three new literary fiction writers in New Zealand to be published by Penguin Random House Books this year. Dr Dahlberg’s novel Where the Rekohu Bone Sings, was published in March. </P.
Dr. Jack Ross reading as part of ‘Poetry Central’ for National Poetry Day.
For ‘National Poetry Day this Friday – Dr. Jack Ross will be reading some poetry at the Central Library as part of ‘Poetry Central’. The readings are free and start at 6pm.
When: Friday 22 August, 6pm
Where: Central City Library, Waitemata room, Level 3
Cost: Free
Auckland Libraries and the nzepc (the New Zealand Electronic Poetry Centre) invite you to celebrate National Poetry Day with an evening of readings.
This event will be accompanied by birthday festivities for nzepc and fabulous poetry posters from Phantom Billstickers.
There will be readings by Michele Leggott, Makyla Curtis, Murray Edmond, Ya-Wen Ho, Selina Tusitala Marsh, Alice Miller, John Newton, Jack Ross and Robert Sullivan.
Join us for a welcome glass of wine at 5.30pm before the readings begin at 6pm.
To reserve your place for this event, please phone 09 377 0209 or email Ana Worner
For more information visit: http://www.aucklandlibraries.govt.nz/EN/Events/Events/Pages/poetrycentral2014.aspx
Theatre to help firms deal with workplace bullying
‘In the Red Corner’ is a play about workplace bullying written by Dr Margot Edwards.
Feelings and emotions are often marginalised in the rational world of business, but Massey University’s expressive arts and business programmes hope to change all that with the development of a play about workplace bullying. Dr Margot Edwards, a senior lecturer with the School of Management, wanted to create an effective intervention for dealing with bullying at work. Instead of producing the usual seminar, she decided to write a play. “I wanted to actually create something interactive to get people thinking in a different way about how bullying makes people feel and what the reasons behind it might be,” Dr Edwards says.
“A play allows people to have a discussion about the characters and their behaviour, without accusing a colleague. It also allows you to reflect on your own experiences and how they made you feel. We all remember those scenes in our head when the boss came in and shouted at us, for example, and we think ‘I wished I’d said this’ – you can use those experiences to effect change.” Now Dr Edwards is teaming up with the university’s theatre studies programme to get her play, titled ‘In the Red Corner’, ready for performance. Students from the Massey University Theatre Society will workshop it through an open reading in the Albany campus’ state-of-the-art Theatre Lab tomorrow.
School of English and Media Studies lecturer Dr Rand Hazou says the project is a great opportunity for the business and expressive arts programmes to collaborate. “The reading will be part of the students’ creative development and we’ll hopefully bring some clarity to Margot’s ideas and what she’s trying to achieve,” he says. “Plays always sound different when they are read out loud so we will help Margot to see and hear how her words come alive and give insights into how it can be redrafted and improved.” Dr Hazou says the play fits well within the tradition of applied theatre, which he has a particular interest in. “We introduced a new Applied Theatre paper here at Massey last semester – it looks at theatre applied outside conventional performance spaces as a way of bringing about social change. “When Margot told me she had written a play about bullying and she wanted to develop it so it could be presented in workplaces to spark discussion, I thought, ‘Great, this is exactly what I’m interested in – theatre with a real-life application that tries to bring about change in the way we see things.’”
‘In the Red Corner’ is set in the fictional Blackrock General Hospital and shows the interaction between a bullying director of nursing and a nurse union representative. The content is inspired by the research findings of one of Dr Edwards’ PhD students whose thesis looks at workplace bullying in nursing. “The researcher, Kate Blackwood, interviewed both nurses and management in hospitals and they are all really desperate for research that can lead to effective interventions,” Dr Edwards says. “Hospitals are high pressure workplaces so the impact of bullying on a person’s mental state in that environment can lead to serious mistakes.”
Dr Edwards says she first began to think about writing plays after using role play when teaching leadership skills.“Role-playing can bring an idea alive – it might put students on the spot and make them feel awkward, but that’s what life is like. We’re always looking for ways to flip the classroom – I mean, who wants their lecturer to put up a slide that says here’s five things you should know about leadership?” Dr Hazou agrees: “The expressive arts afford different ways of knowing. If you stage something like a play, it opens up different types of spaces in which people can engage and discuss, which is what you need if you want to bring about cultural change.”
There are already plans to perform ‘In the Red Corner’ at a harassment workshop later in the year and Dr Edwards hopes customised versions of the play will be taken into workplaces where bullying is known to occur. She says her hope is that workers “walk out of the room as different people to when they walked in.” Down the track, both Dr Edwards and Dr Hazou would like to see Massey offer the services of an acting troupe to businesses, with theatre students being paid to perform thought-provoking plays in workplaces around the country. “If there’s a gap there and Massey can play a role in filling it, fantastic,” Dr Hazou says.
International performer in Wellington
The Massey University School of English and Media Studies is bringing renowned international performance artist Violeta Luna to Wellington this month and you can see her free – for one night only.
Violeta Luna’s performance combines video, physical theatre and electronic music by her collaborator David Molina, to create a multi-faceted narrative of forceful and subversive imagery, mixed with powerful rituals of memory and resistance. Addressing topical issues of globalisation, indigeneous peoples’ rights to flora and fauna, and genetic modification, her show will take the audience on a spectacular and thought-provoking journey.
Born in Mexico City, Ms Luna qualified in Acting from the Centro Universitario de Teatro, and La Casa del Teatro. Her innovative work combining theatre, performance art and activism to explore modes of awareness-building and community engagement has taken her around the world.
She has performed and taught workshops throughout Latin America, Europe, Africa, and the United States of America. While in New Zealand, in addition to her keynote presentation and public performance at the Australasian Drama Studies Association 2014 conference, Ms Luna will deliver an experimental theatre and performance workshop exploring issues of body and identity, at Massey University’s Wellington Campus Theatre Laboratory from June 21-23.
• Violeta Luna will be in New Zealand for the ADSA conference, June 25-28 2014, see conference details at http://www.adsa.edu.au/conferences/next-conference/restoring-balance-ecology-sustainability-performance-vuw-25-28-june-2014/
• Her evening performance at the conference is open to the public – Come to the Grand Hall, Museum Building, Massey University, 7pm to 8pm, Thursday June 26. See details and a map at: http://www.eventfinder.co.nz/2014/violeta-luna-nk603-action-for-performer-and-e-maiz/wellington
Daughters of Heaven: Drama in Performance 139.104
Based on the notorious 1954 Parker-Hulme murder, Michelanne Forster’s Daughters of Heaven tells the tale of two teenage girls who conspire to murder one of their own mothers. The play explores the breakdown of one moral universe and its replacement with another that is potent, powerful and, ultimately, tragic. Directed by Rachel Lenart, students of 139.104 Drama in Performance performed adaptation of Daughters of Heaven which featured techniques associated with the German playwright and theorist Bertold Brecht at the Black Sheep Theatre on Massey’s Palmerston North Campus on the 28th and 29th of May 2014.
May 28th, Arts on Wednesday, Manawatu Campus
Based on the notorious 1954 Parker-Hulme murder, two teenage girls conspire to murder the mother of one of them. This script explores the breakdown of one moral universe and its replacement with another that is potent, powerful and, ultimately, tragic. Students of 139.104 Drama in Performance present a brechtian theatre adaptation of the drama Daughters of Heaven by Michelanne Forster.
May 28th DRAMA Daughters of Heaven by Michelanne Forster presented by Students of Drama in Performance 139.104
Free admission: May 28th 12.30pm
Location: Black Sheep Theatre, Room 2, Wool Building, University Avenue, Massey University, Manawatu Campus