Professing Creativity: Creative Writers and Teachers Network

This Radio New Zealand ‘Standing Room Only’ broadcast aired in February 2014. Framed by the Professing Creativity conference: http://www.massey.ac.nz/massey/learning/departments/school-english-media-studies/about/events/professing-creativity-conference/professing-creativity-conference_home.cfm , the episode is centred on creative writing and it mentions Massey several times about how creative writing is offered ‘on all three campuses’ of Massey and it features interviews with conference keynotes Michele Leggott and Kevin Brophy: http://www.radionz.co.nz/audio/player/2585902

 

Mask Workshop with Prof. Stephanie Campbell 26th of Feb. @ Albany Campus


The Expressive Arts Programme is delighted to present a MASK WORKSHOP with Prof. Stephanie Campbell on Wednesday 26 February, from 2-5 pm in the Rec Centre Studio at the Albany Campus.

Stephanie Campbell (MFA Acting/Directing, University of  Arizona) is  an international Mask Methods specialist. More information about her work can be found at www.maskexploration.com.

An actress, stage director and improvisational comedy artist, Stephanie is also a theatre professor at Montana State University. Montana State University is a sister university to Massey University. Please refer to Prof. Campbell’s profile page fore more information.  Professor Campbell has researched uses and application of mask work worldwide and will offer a workshop introducing participants to the process of Character Creation.Places are limited. First come first served. Please register your interest by emailing Dr. Rand Hazou on: r.t.hazou@massey.ac.nz

Mask Workshop.2

A film portrait of Prof. Stephanie Campbell ‘Behind the Mask’ by Emily Narrow is available on Vimeo online.

 

Creative Writers and Teachers Converge

New Zealand’s top teachers of creative writing converge on Massey University’s Wellington campus in mid February for a conference that promises to offer new insights into a burgeoning industry.

The Professing Creativity: Teaching Creative Writing in Aotearoa Conference, which takes place from Wednesday February 12 till Friday February 14 is the first conference to focus exclusively on teaching creative writing in New Zealand.

It connects some of the profession’s foremost teachers and writers to discuss issues of biculturalism, the postgraduate experience, and the relationship between creative and critical work.

Featuring some of New Zealand’s most prominent creative writing teachers including Damien Wilkins (Victoria University’s International Institute of Modern Letters), Michele Leggott (Auckland University) and Angie Farrow (Massey University) the conference also includes keynote addresses from Joan Connor (Ohio University, USA) and Kevin Brophy (University of Melbourne).

Conference chairman Dr Thom Conroy, from the School of English and Media Studies, says the conference arose out of an ongoing quest for excellence in teaching and research.

“Professing Creativity will focus on invigorating and innovating the discipline of creative writing in Aotearoa,” he says as well as addressing key questions. “What is the state of creative writing in New Zealand? What standards do we share? Where is the discipline headed and what are we doing about it?”

The Professing Creativity Conference will be held in the Executive Seminar Suite, Entrance A, Massey University, Wellington, from February 12-February 14.

See more at http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=CA2F75D6-053D-6556-8B3C-DCCB08CA09D2

Emily Duncan’s script Eloise in the Middle takes Plays for the Young, Playmarket in New Zealand competition.

Past 139.763 Community Theatre student’s script takes Playmarket, New Zealand competition.

Emily Duncan was awarded for the 2013 Plays for the Young 3-8 year old category for her script Eloise in the Middle. Playmarket will offer  script development resources, as appropriate, and her script will be entered into the Script Register, making them available for circulation to potential producers. This is a significant achievement given the limited number of playwriting competitions both here and overseas.  Since Emily was a Massey student in 139.763, Community Theatre; she has since gone forward with playwriting.

In 2010 Duncan was selected to be one of the ten playwrights to attend the Playmarket Playwrights’ Retreat over eight days in July at Otaki. The script she developed there, Southern Comfort, won the 2010 Dunedin Write Out Loud competition.

Dunedn-based, Duncan is a writer, copyeditor and teacher, and also acts and directs for theatre. Read more about Emily at Playmarket http://www.playmarket.org.nz/playwrights/emily-duncan

Student Poet wins Kathleen Grattan Award for Poems

Congratulations to postgraduate student Belinda Diepenheim, who has  won The Kathleen Grattan Award for a Sequence of Poems for her sequence “Bittercress and Flax.”

The award is sponsored by the International Writers’ Workshop NZ. The judges were Stu Bagby and Jenny Cole.

This is the second time a Massey postgraduate student has won this award. Jillian Sullivan won it in 2011.

For more information, see the IWW website:
http://www.iww.co.nz/results.htm

 

Professing Creativity: Teaching Creative Writing in Aotearoa Conference

Professing Creativity: Teaching Creative Writing in Aotearoa

 Dates: Wednesday 12 February– Friday 14 February 2014

Venue: Massey University, Wellington Campus

Call for papers

What is the state of teaching Creative Writing in New Zealand? What standards do we share? Where is the discipline headed and what are we doing about it?

This conference will serve as an initial discussion about some of the foundational issues around our diverse and emerging discipline in Aotearoa. Is it diverse, for instance? Is it a discipline? Is it emerging? Arising out of issues around expectations for creative theses, the conference has a special focus on postgraduate issues in Creative Writing. Professing Creativity will also feature a panel discussion on creative writing, which will join national and international teachers in a dialogue around some of the big issues in the field.

By 15 November, 2013 submit a 300 word abstract related to the following themes:

Purpose of the profession: what is creative writing in New Zealand today? What will it be tomorrow?

 

Marrying creative & critical: What is a creative-critical thesis? What expectations do we have as supervisors and examiners?

 

Biculturalism in the Classroom: How do issues of Maori identity and access shape our teaching? What changes are needed?

 

Writing in the Tower: In what ways does creative writing as postgraduate research differ from creative writing outside of the academy?

 

Doctor of What: What is the creative PhD and what should it be? What issues do we face in the moderation and examination of creative work? What distinguishes the creative PhD from the Masters?

 

Playing it Loose: What role do theatre and media script writing have in Creative Writing?

 

Where in the World: How does teaching in New Zealand fit into an international context?

 Key Note Speakers

Joan Connor, University of Ohio

Michele Leggott, University of Auckland

Kevin Brophy, University of Melbourne

Angie Farrow, Massey University

Panel Chair: Damien Wilkins, International Institute of Modern Letters

 Registration Costs

Standard conference registration: $60

Student registration: $25

Visitor day rate: $30

An additional fee will apply for those who’d like to attend the conference dinner.

Online registration details will be available from 1 December.

 Creative Writing Consortium

The Professing Creativity Conference is also intended as the kick-off for an ongoing consortium of creative writing teachers intended to keep the discussion active and assist us with such practical issues as finding examiners for postgraduate work. If you’re unable to attend the conference but would like to be involved in the consortium, please contact Nicholas Allen (nicholas.peter.allen@gmail.com) and let him know.

Key Dates

 15 November, 2013: Abstracts due

 1 December, 2013: Online Conference registration open (early bird rates apply)

 26 January, 2014: Online Conference registration closes (additional registration available during the conference)

 12 February – 14 February: Professing Creativity Conference

 Contact

Please send abstracts and general enquiries to Conference Coordinator, Nicholas Allen, at nicholas.peter.allen@gmail.com

 Professing Creativity Conference Committee

Thom Conroy Jack Ross
Angie Farrow Bryan Walpert
Joy GreenClaire Grant Tina MakeretiJulie McKenzie

 

Sex worker story to prize-winning play

davis-kate-01

Kate Davis, whose play Between the Cracks is the inaugural winner of the Bitsa Playwriting and Performing Competition.

A short story about an unlikely friendship between a sex worker and a middle-class woman has been turned into the winning entry in a playwriting competition at the Albany campus. Written by Bachelor of Arts student Kate Davis, the play, Between the Cracks, was among entries in the inaugural Bitsa Playwriting and Performing Competition. It will be performed during Orientation Week next February.

Set on Auckland’s colourfully infamous Karangahape Road, the drama centres around Kathy, a small-time pot dealer who gets busted for an ounce and sentenced to community service in a K’ Road soup kitchen where she meets Georgie – “a street worker with a Robin Hood complex”, according to the synopsis. It is based on Ms Davis’ short story Georgie, which was published in Landfall issue 224. The story is one of four published stories from her as-yet unpublished, 22-strong collection about sex workers, titled The Whore Next Door.

The judges, Dr Rand Hazou (lecturer in Theatre Arts), Dr Jenny Lawn (senior lecturer in English), Stuart Hoar (Playmarket script advisor and Massey lecturer in script writing), and Becki Chappell (Massey University Theatre Society secretary and student), described her script as “vivid, warm, energetic,” adding that the play “stands out for its clear local references and life-affirming fondness for all the human flotsam of the K’ Rd scene. “The dialogue cracks along at a sharp pace, and is fluent, idiomatic, sometimes witty, and rich in Kiwi slang. The characterisation is believable, and the class and gender crossovers give enough of a sense of personal discovery, without falling into diversity didacticism”.

Ms Davis formerly worked in the sex industry then went on to work as regional coordinator in Auckland for the New Zealand Prostitutes’ Collective for five years. She lobbied to decriminalise prostitution leading to the Prostitution Reform Act 2003, and first enrolled in a Certificate of Health Promotion at Massey. When she changed tack to do a Creative Writing paper, her tutor Dr Bronwyn Lloyd encouraged her writing talent and invited her along to a writers’ group, where she began her short story collection and decided to pursue full-time study for a Bachelor of Arts.

Ms Davis, who is studying English and Politics, says her stories, written from an insider’s perspective, are a way of demystifying the world of sex workers, and their diverse personalities, sexual identities and life stories. Theatre lecturer and Bitsa judge Dr Hazou says her writing talent lies in her ability to bring a creative and critical eye to those marginalised by society.

Second place in the competition went to Georgia Forrester for Lines of Literature, and third Place to Sam Nicholls’ Sharks, Hookers and Exes.

Auditions to recruit students and community members to perform the winning three entries will be held on November 21 from 12 to 3pm at the Theatre Lab in the Sir Neil Waters Building. Rehearsals will be held over summer. Directors, set designers and technicians are also needed.

The Bitsas are the culmination of a busy year of theatre activity at the Albany campus, with the launch of a new theatre space called Theatre Lab, a student theatre group (MUTS) and new papers in Expressive Arts offered at the Albany campus.

For more information on auditions contact: masseyunimuts@gmail.com

‘Daffodils’ poem by Sue Wootton wins 2013 Cancer Council Victoria Arts Award

MCW student wins the 2013 Cancer Council Victoria Arts Award with her poem ‘Daffodils’

Current Massey Masters of Creative Writing student Sue Wootton has won the poetry section of the 2013 Cancer Council Victoria Arts Awards with her poem ‘Daffodils’. The award was judged by prominent Australian poet Jennifer Harrison, who said, ‘‘Daffodils’ is a formally elegant poem in which subtle slant rhyme, extended metaphor and thoughtful pacing entice the reader emotionally into the poem. When reading this poem, one embraces the solitude, renewal and resilience of human experience more widely than before. An outstanding entry, this poem is full of delicate wisdom. Although Wordsworth is not explicitly referenced I like the way this poem resonates with the history of poetry, with the recurring, seasonal ‘daffodil’ in poetry, especially with Wordsworth’s ‘host of golden daffodils’.

The Cancer Council Victoria awards are held annually and include categories for visual arts, film, fiction and poetry.http://www.artsawards.com.au/about

A former physiotherapist, Sue has a long-standing interest in the intersection of science and the humanities generally, and poetry and medicine in particular. Earlier this year she shared second prize in the 2013 International Hippocrates Prize for Poetry and Medicine for her poem ‘Wild’.  Working with her supervisor Thom Conroy, Sue is midway through a critical-creative thesis which includes an extract from an upcoming novel.

Writers Read Series 2013

The Writers Read  series, founded in Palmerston North 2006 by Massey senior lecturer Bryan Walpert, supports creative writing and introduces the public to some of the country’s finest writing. It has since grown to include Massey’s Albany and Wellington campuses, where it is coordinated by Jack Ross and Ingrid Horrocks respectively.

The 2013 the series has included some of New Zealand’s finest writers, including CK Stead, Emily Perkins, Sue Orr, Anna Jackson, Helen Lehndorf, Robert Sullivan, and Jo Randerson. Other notable writers who have taken part in events over the years include Witi Ihimaera, Jenny Bornholdt, Karlo Mila, Bill Manhire, Elizabeth Knox, Vincent O’Sullivan, James George, Laurence Fearnley, James Norcliffe and Elizabeth Smither, as well as a number of Massey’s teaching staff.

Read more…

Kapiti Writers Read

http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=3A153F99-D675-F1D6-1023-95FA0A7C5B47

 

Creative writing pioneer speaks at Albany campus

http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=2D2294C9-0332-2182-5053-F67F1579EC71

 

Writers Read Albany: Robert Sullivan

http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=FECDEF4D-E93C-9429-218D-C7BB37F0836A

 

NZ literary stars at Massey in Writers Read series

http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=698BCA4F-FA34-3D07-EA1B-A2AB49488D2B

 

CK Stead presents his poetry at Writers Read

http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle=ck-stead-presents-his-poetry-at-writers-read-20-03-2013

Massey Poet Bryan Walpert shortlisted for the Montreal International Poetry Prize

Massey Poet shortlisted for the Montreal International Poetry Prize

Manawatū’s iconic wind turbines are the central metaphor in the poem Aubade by Massey University creative writing senior lecturer Dr Bryan Walpert that was short-listed for the C$20,000 Montreal International Poetry Prize.
Article link  http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=9D6C51DD-E523-7E0F-1104-9EE2A01E5A6F