Tag Archives: summer shakespeare

Manawatu River becomes a Shakespearean backdrop

Director Sara Brodie is bringing a bit of wild to Summer Shakespeare 2017, with the Manawatu River as a backdrop and all sorts of surprises planned.

In her position as the artist in residence at Massey University, the Kapiti-based director and choreographer has chosen The Winter’s Tale as her play.

“It’s comic and tragic and I want to evoke a winter’s night and the fantastic tale element of it as much as possible.”

A stretch of Palmerston North’s Esplanade river walkway will be the stage for the open theatre piece, and Brodie said all sorts of things become possible in such a setting.

“When the audience actually come along here it will all be set up like a mid-winter fair with braziers, bunting, food stories and fire poi. We enter into the court scenes first where the jealous ravings of King Leontes start.”

Brodie is no stranger to staging outdoor events and said the “happy accidents” that occur are one of the best elements.

“Beautiful sunsets or wind at just the right moment. Those sort of things that really add to the experience for people. This will be like going into the fantastical wilds.”

The annual event is in it’s 14th year and will be drawing on Palmerston North’s non-professional theatre community for the production that will be held next March.

A workshop will be held at 10am on Saturday at Massey University’s Sir Geoffrey Peren Building, which Brodie said will give people an idea of the process.

“It’s for anyone who is interested to come along to meet me and to hear about the production and see some concept imagery around it. We will talk about the story and get our teeth into some of the text and some exercises to have some fun with it.”

Formal auditions for The Winter’s Tale will be held at the end of November and as well as actors and dancers, Brodie is also on the look out for production behind-the-scenes people.

Enthusiastic, talented people: Fifty years of drama at Massey University

MUDS

The cast of ‘As You Like It,’ 1980. Rear from left: Peter Henderson, John Ross, Anona Dawick, John Dawick (Director, and lecturer in drama in the MU English department), Jacqueline Rowarth, Nick Broomfield. Front: Penny Guy, David Guy.

‘Enthusiastic, talented people: Fifty years of drama at Massey University’: so runs the title of an article just published by Lucy Marsden about  the rich and innovative tradition of theatre at Massey University.  Marsden writes: “drama has been very popular at Massey; since the 1960s hundreds of Massey staff and students have collaborated with others … to stage a wide variety of plays, and found acting a creative and satisfying experience. They and their audiences look back on their productions with great pleasure and for some it has become a career”.

Marsden goes on to list a who’s-who roll-call of creative industry figures – from comedians and television producers to actors and beloved drama teachers – who got their theatrical start at Massey, as well as many public figures who although employed in other fields, enhanced their public speaking and performance skills through participating in theatre at Massey.

The article draws on a wealth of archival material that Marsden studied during and after her time as Massey University archivist.  She has a particular interest in the extracurricular productions delivered by the Massey University Drama Society (established as a drama club in 1960, and by 1964 designated MUDS and described as Massey’s “major cultural society”) in which students from every discipline have participated, but the article also explores the integral role of English department staff, who introduced drama to the English curriculum in 1962 and worked intensively from the 1960s onwards to facilitate and support MUDS productions and encourage extracurricular theatre as a complement to the theatre curriculum. The article traces the introduction of Summer Shakespeare and the Festivals of New Arts by Angie Farrow in the mid-1990s, and notes that School of English & Media Studies theatre staff continue that strong relationship with the cluster of additional theatre activities that surround the curriculum to this day, as directors, writers, producers and crew now not just at Manawatu but on every campus.

Herself a wonderful and evocative storyteller with an ear for the dramatic, Marsden documents the human moments of this rich history – the unexpected comedy of falls from the stage, the sudden moments of poignancy when a ruru calls during a soliloquy at an outdoor performance, the use of innovative staging and venues including actors wading through ponds and crawling under spectators’ chairs. In a companion article, titled ‘Smut, Satire and Hairy Fairies: Massey University Student Capping Reviews,’ she records the hilarious tradition of the irreverent Massey Student Reviews that ran from the 1930s to 2004.

If you’ve ever been part of a play, performance or review at Massey, both these articles are well worth a read (and your name may well be mentioned in them – there’s a long list of credits and acknowledgements to the many stalwarts of the theatrical tradition at Massey). Both articles feature in the latest special issue of Manawatu Journal of History. To see more, get your copy of Manawatu Journal of History, Massey Commemorative Issue, 2014 (only $25) by emailing manawatujournalsales@inspire.net.nz or pick one up from the Alumni shop on any campus.

Manawatu Summer Shakespeare 2014

 

Shakespeare-2014“As You Like It”, the 12th annual Manawatu Summer Shakespeare show, will run from March 6 to 15, takes a slightly different approach to its original version. Set in the forest at the Esplanade, Grant Mouldey’s version portrays nature as an equal force against culture. This, he says, creates a robust, dynamic force that challenges the characters’ development in new ways and makes them more resilient.

“The show focuses on how the forest can really open people up and transform with love, and the Esplanade is a great location for demonstrating this.”

Mouldey comes from an extensive theatre background and has toured the world with his performances. His artist-in-residency, which began in November last year, marks the re-birth of his career in New Zealand after 30 years living offshore.  which will run from March 6 to 15, takes a slightly different approach to its original version. Set in the forest at the Esplanade, Mouldey’s version portrays nature as an equal force against culture. This, he says, creates a robust, dynamic force that challenges the characters’ development in new ways and makes them more resilient.

“The show focuses on how the forest can really open people up and transform with love, and the Esplanade is a great location for demonstrating this.”

Mouldey comes from an extensive theatre background and has toured the world with his performances. His artist-in-residency, which began in November last year, marks the re-birth of his career in New Zealand after 30 years living offshore.

Full article at http://www.massey.ac.nz/massey/about-massey/news/article.cfm?mnarticle_uuid=99189411-9E1F-43FF-0872-E910CAC0C020