Monthly Archives: August 2019

Magazine of memories for aged-care residents

Dr Rand Hazou (third on right, back row) with students who created Reminisce.

Meeting residents in an aged care facility and turning their conversations about the past into a magazine of memories proved to be a rewarding project for Massey University students as much as for the elderly residents they befriended in the process.

The Auckland-based expressive arts students enrolled in the Creativity in the Community course – part of the Bachelor of Arts and Bachelor of Communication degrees – spent time with residents at Aria Gardens home in Albany to explore their memories of life in the 1950s and ’60s. They collaborated with residents, including two with dementia, to create a one-off magazine, called Reminisce, which they launched earlier this month in a special event at Aria Gardens.

 

Student Ella Brookhammer said at the launch that the students hoped to “enable those that we worked with to look back on their lives fondly and reminisce with us. I personally spoke with Emma, who, as a long-time magazine reader, had many pieces of advice that aided me in the editing process for this project. Her suggestions included having interesting stories and most definitely a puzzle page!”

The magazine included articles and illustrations to reflect the interests and passions of the residents, such as former mechanic Alistair. He shared his memories and knowledge with student Liam Cairns for an article titled ‘A Look Inside the Mechanic’s Workshop’. It focused on the rare Kiwi icon, the Trekka, New Zealand’s only domestically designed and produced car.

In other articles, Patricia shared her travel stories and adventures, including getting engaged to her husband at the Taj Mahal in India under the moonlight. ‘It was the best day of my life,” she says in the article.

Vietnamese-born Hak, who moved to New Zealand in 1982, revealed his secret recipe for his favourite noodle dish, a Vietnamese-Cambodian fusion of herbs, spices, meat and vegetables.

Theatre lecturer and course convener Dr Rand Hazou, a specialist in applied and community theatre, says the course is designed to give students an opportunity to apply their creative skills and knowledge within a specific community context. “Working in groups under close supervision, students conceptualise, design, produce and then evaluate creative art projects within a specific community setting.”

Community engagement

“The course not only provides students with a creative and artistic outlet on a social issue – it helps to develop their project management and stakeholder engagement skills as well as their confidence,” he says. “Ultimately, it aims to show students that they can think of an idea for a creative community project, draft a brief, and apply for funding to help deliver a project to a community in need.”

By partnering with Aria Gardens, an aged care facility close to Massey’s campus in Albany, the students focused on delivering creative interventions that explored issues of positive ageing and dementia, Dr Hazou says.

“According to Alzheimers New Zealand, two out of every three New Zealanders are touched by dementia. For a third of New Zealanders, dementia is one of the things feared most about ageing. The partnership with Aria Gardens gave us a unique opportunity to engage with some of the issues surrounding ageing and dementia, and find creative interventions that challenge negative stereotypes within the wider community.”

Aria Gardens manager Paul France said of the project: “I loved the approach the students took with our residents. It was obvious they probed beneath the surface and understood their passions, motivators and things that bring them happiness.

“You could feel the pride in our residents as their contribution was showcased and it made them feel special being given their own two-page spread in such a prestigious and creative magazine.”

Dr Hazou emphasises that the course is designed to make students not just “work ready”, but what is being called in the pedagogical literature “world ready”. “It aims to develop their capacities as adaptive, engaged and responsible citizens,” he says.

These learning motivations are also reflected in Massey’s innovative BA programme, which was re-designed several years ago to include new core papers on cultural identity and belonging, local and global citizenship, and community engagement.

Published in Channel Magazine, Issue 100 July 2019.

Theatre and masks reveal life behind prison walls

Mask artist Pedro Ilgenfritz and Dr Rand Hazou prepare for the performance of Walls That Talk. (Photo credit: Sarah Woodland).

Stories of prisoners’ lives usually stay locked up – but a group of male prisoners in Auckland has had the chance to study performance techniques and to share their experiences of being behind bars through a special theatre project led by Massey University.

Walls That Talk: Ngā Pātū Kōrero – a documentary theatre project led by applied theatre specialist Dr Rand Hazou – has been in the making for the past few months and culminated in a recent performance to a select audience at Auckland Prison, Paremoremo.

“Despite our high incarceration rates, we hear very little about the reality of prison life, and the personal experiences of those caught up in the criminal justice system remain largely invisible,” Dr Hazou says. “The aim of this theatre project was to challenge this invisibility by allowing the voices of prisoners to be heard on stage.”

 

Arts in prison a human rights issue

The theatre project provided a creative and therapeutic forum for prisoners to reflect on and better understand their life experiences both inside and beyond the prison walls. Dr Hazou says access to the arts in prison is also a human rights issue. “We need to be supporting engagement with the arts in prison because corrections is a system that often de-humanises people,” he says.

Comments from participating prisoners captured the impact of translating their stories into art.

“It added to my confidence,” according to one. “It’s given me more encouragement to do things, so a bit more direction of how I want to do things. So, when I see something, and I put my mind to it, I know I can do it, so it’s given me that motivation to keep pushing on. I didn’t really think I could do this stuff; it’s been a bit of an eye opener for me. It’s given me a bit of a sense of connection too, a sense of unity.”

Māori model of health to build new walls

In creating the production, Dr Hazou developed interview questions based on Te Whare Tapa Whā (the four cornerstones, or sides, of Māori health) – a model developed by Sir Mason Durie.

“We asked questions about physical health, emotional wellbeing, spirit or wairua, and family health. We then worked with [scriptwriter] Stuart Hoar to pull extracts from the transcribed interviews into a play that the men then performed. The play deals with issues of wellbeing from the experience of the prisoners in Te Piririti [sex offender treatment programme at Auckland Prison].”

Dr Hazou, a senior lecturer in theatre in the School of English and Media Studies at the Auckland campus, says the indigenous model of wellbeing, using the metaphor of the wharenui or meeting house with four walls, was central to the theatre work. “These walls include taha tinana [physical health], taha wairua [spiritual health], taha hinengaro [mental/emotional health], and taha whānau [family health]. Within this holistic model, each wall is necessary to the strength of the building.

Walls That Talk: Ngā Pātū Kōrero is part of a larger project called Prison Voices, a creative collaboration with Dr Sarah Woodland from Griffith University in Brisbane. It includes recorded interview material with the participants at Auckland Prison to be edited into a creative audio work or radio drama.

Dr Hazou has worked across a variety of creative and community contexts. These include in Palestine in 2004, when he was commissioned by the United Nations Development Programme (UNDP) to travel to the Occupied Territories to work as a theatre consultant running workshops for Palestinian youth. His research on asylum seeker and refugee theatre has been published in international journal articles.

He is coordinating the Performing Arts and Justice Symposium (September 5-6) at Massey’s Auckland campus in Albany to bring together performers, arts practitioners, researchers and justice professionals to explore the potential of theatre and the creative arts to transform the justice system.

Visit the webpage for information on keynotes and registration. http://bit.ly/2IR9CuE

Published in The Channel Magazine, Issue 101 August 2019.

By: 
christine@channelmag.co.nz

Horse Comedy a Trifecta for Massey Playwright

Theatre lecturer and playwright Associate Professor Elspeth Tilley has notched up an artistic trifecta with her third consecutive win at the British Theatre Challenge, this time with a dark comedy about the horse racing industry.

Dr Tilley, from the School of English and Media Studies, has won numerous awards locally and internationally for her plays – often using humour and absurdity to address serious social, ethical and environmental issues. She describes her latest winning short play, titled Fabio the Great, “a hilarious horse-eye view on humanity”.

In it, three horse characters muse on and argue about the perils of their existence while providing an comical, yet insightful, commentary on human behaviour. Fabio is the name of the stallion who spouts platitudes about the thrill of winning and being a champion, despite the pain and risks he endures. His equine companions (a mare and a gelding) urge him to escape before he, too, loses his manhood and fighting spirit to the emasculating scalpel.

The 10-minute play (which won Best Play at Pint Sized Plays New Zealand earlier this year in Queenstown) was one of five winners selected from around 300 entries from around the world for the UK competition run by Sky Blue Theatre Company. Each play will be professionally produced, performed and filmed in London in the first week of October, something Dr Tilley is thrilled about as there a few opportunities to professionally stage short plays in New Zealand.

Dr Tilley, who was winner in 2017 with her play Waiting for Go – about people’s addiction to cars – and in 2018 for Bunnies and Wolves – a reality show critique of the public/private health system, says she likes to use humour to get audiences thinking freshly about issues and aspects of culture that are accepted and taken for granted. Like horse racing.

“The play is a hard punch of anti-animal-cruelty, even to the extent of describing the death toll by over training of two-year-old horses, the brutal medical procedures, the doping to keep an injured horse racing), yet it’s wrapped in the soft glove of character-based comedy,” she says. “There’s actually a lot going on for a 10-minute play that deliberately and disarmingly starts off with an inane fart joke!”

Elspeth Tilley’s award-winning play Fabio the Great uses humour to probe the ethics of horse-racing (photo:Unsplash/Jeff Griffith)

Politics and humour can co-exist

The recognition for the play confirms, she says, that “political work – work that in this case has a strong message about animal rights, with some feminism thrown in for good measure – can win open competitions”.

Not that she is aiming to judge people who like horse racing. Rather, she hopes the play might inspire them to think more critically about the industry beyond the glamour of women dressing up for a race meet in heels, frocks and fascinators, the beauty and speed of the horses and big money to be made as a punter or industry participant. After all, she once had her own part to play – as a student in Australia in her 20s, she earned money to fund her studies working as an actor and model promoting horse racing on the Gold Coast.

Elspeth Tilley’s award-winning play on the dark side of horse racing touches on ideas of why humans feel they are a superior species (photo: Unsplash/Sarah Olive)

Humans vs animals

On a more philosophical note, she says the play touches on ideas of ecological equity, questioning the notion of why humans put themselves at the top of a species pyramid, and the assumed narcissism of seeing ourselves as superior to all other species.

“All three of my works that have made the winners’ list in this competition have been political works – the first one about climate change, the second about public health, and now this one with a strong message against the horse racing industry. To me, this shows that being political doesn’t disadvantage a theatre work in any way –  the works are comedic, but it’s comedy with a message.”

Dr Tilley, who rigorously researched the racing industry and equine welfare before writing the play, says she hopes her success will reassure those of her students who “seem to think that being funny and being political are mutually exclusive. But the long history of political satire shows they are elements that are stronger together.”

Dr Tilley says she’d like to see “a whole new generation of expert satirists – I think it is an increasingly important way to speak truth to power and get people thinking critically. I hope this encourages more young people to use the arts to get their own social justice measures across. It is possible. It works.”

Related articles

Creative activism on the move at Massey
Theatre to provoke new thinking on climate change

 

Create1World High School Student Competition Now Open

Kua whakatuwherahia! The 2019 Create1World Competition is now open for your entries!

We are looking for entries from students currently in secondary education that show how artistic creativity can help us better understand and resolve global problems faced by humanity in the 21st Century. Themes might include tolerance, inclusivity, diversity, sustainability, peace, human rights, climate change, refugees, global inequality or the responsibilities of multinational organisations.

There are categories for Media Studies and Social Studies, Speech and Drama, Creative Writing and Music, and there are multiple cash prizes in every category.

Go to this page for details: http://sites.massey.ac.nz/expressivearts/2019/03/06/create1world-2019/ (scroll down to see links to Competition Entry info and Tc & Cs).

Then, once you’ve made your fabulous piece of creativity, go to the Create1World Facebook Page and post your submission on the page. Post it as a visitor post (you will see other previous entries in the visitor posts area).

The competition is open until 21:00pm NZST on October 14, 2019.  You can enter at any time during this period.  If you intend to try for the ‘People’s Choice’ award (most likes on Facebook) you are encouraged to enter early in the competition window, to give your entry lots of time to gather likes.

Best of luck in the competition – we can’t wait to see your entries!