Category Archives: News

Youth Justice Play Sparks Debate

Youth justice has been put under the spotlight in a new stage show by a group of Massey University Creativity in the Community students at Wellington campus.

The production comes at a time when the Government is considering whether or not to raise the age of New Zealand’s Youth Court jurisdiction, and has sparked lively debate.

Samuel Williams and Hamish Boyle in JustUs

Samuel Williams and Hamish Boyle in JustUs

See more via this TV3 video: http://www.newshub.co.nz/entertainment/play-examines-realities-of-youth-in-adult-justice-system-2016060923#ixzz4BVE5ThG7

The play has also sparked discussion of the issues on Radio New Zealand’s The Panel.

Hear more via this podcast: http://www.radionz.co.nz/national/programmes/thepanel/audio/201804313/age-of-adult-criminal-responsibility

Related blog post: http://sites.massey.ac.nz/expressivearts/2016/06/01/justus-takes-justice-to-the-stage/

 

 

Triple shortlisting for Massey’s artist in residence

FDavid Hillor Massey University’s literary Artist-in-Residence David Hill there is always a “sense of delighted disbelief” whenever he is nominated for an award, even though it has been a pleasing recurrence for the prolific author.

The Taranaki novelist, playwright, critic and journalist best known for his abundance of award-winning children’s and young fiction books has been shortlisted listed in three categories of this year’s New Zealand Children’s Book Awards.

142375750His novel Enemy Camp, which describes the shooting of Japanese prisoners at the Featherston POW Camp in World War II, is a finalist in the Junior Fiction Award, and in the Children’s Choice Junior Fiction. His picture book on Sir Edmund Hillary, First to the Top, illustrated by Phoebe Morris, is short-listed for the Children’s Choice Non-Fiction Award.

Mr Hill’s novels for teenagers and children have been published in over a dozen countries. He is a past winner of the Esther Glen Medal and the New Zealand Post Children’s Book Awards. In 2010, he was Writer-in-Residence at the University of Iowa in the United States. In 2005 he was the 15th recipient of the Margaret Mahy Award.

Even with his legacy of awards, “having a bit of success makes you work better”, he says from his office in the recently refurbished and gracious Sir Geoffrey Peren Building on the Manawatū campus.

During his three-month residency, he has been working on his latest novel for teen readers. It follows five generations of one family and is roughly based in the area of Hawke’s Bay where his mother is from. The former school teacher likes to focus on historical topics in his children’s books these days, saying he has realised he can no longer write convincing contemporary fiction for young people. “I’m not a technophile and kids’ lives today are thoroughly imbued with technology.”

First to the TopHe’s also been reading and critiquing fiction by creative writing undergraduate students, and the results have impressed him. “They are finding their own voices, and the diversity of voices is fascinating.”

He’s found the University’s creative writing community “very energetic and very supportive too. I think its great to have a department in which so many of the teachers [lecturers] are also practising writers.”

Being able to spend three months “in the company of people where you don’t have to explain or justify what you are doing” is especially rewarding, says the author whose favourite writers are New Zealand’s Maurice Gee – “a brilliant storyteller and stylist” – and American novelist Cormac McCarthy, “who couldn’t be more different to me as a writer”.

As well as doing high school visits and raising awareness of Massey’s creative writing programme, he has been marvelling at the diversity of study programmes offered at Massey – from philosophy and Asian languages to vet science and engineering. He’s also been relishing the natural and architectural beauty of the campus and its distinctive character, captured in his observation that; “Massey is surely the only university in the Southern Hemisphere on whose map is a little square labelled ‘equine treadmill’.”

As the current Artist-in-Residence, he is living in a self-contained flat at the Square Edge Community Arts Centre on the Square until mid-July. Co-sponsored by Massey University and the Palmerston North City Council, the visiting artist programme is a unique opportunity to support community engagement between artists in creative writing, theatre and the media arts, which includes filmmaking.

Winners of the New Zealand Children’s Book Awards will be announced on August 8 at Circa Theatre in Wellington.

Migrant voices in creative writing surge at Massey

International writers who now call the Manawatū home are adding a distinctive vibe to Massey University’s burgeoning creative writing scene.

A surge in activity and success among Massey University staff and student creative writers – from New Zealand, as well as the United States, Britain, Latin America and Australia – reflects the growing strength and profile of its undergraduate and postgraduate creative writing programmes, says Palmerston North-based author and creative writing senior lecturer Dr Thom Conroy.

Ex-pat writers offer a fresh take on New Zealand identity from the migrant’s experience, says Dr Conroy, a dual American-New Zealand citizen who moved here from Ohio 11 years ago.

A case in point, Dr Conroy is about to launch his second novel, titled The Salted Air, two years after the success of his debut novel The Naturalist – set mainly in New Zealand and based on the true story of 19th century German naturalist, botanist and explorer Dr Ernst Dieffenbach. It topped the Neilsen Weekly Bestseller list in New Zealand after its release in 2014 and was at one point selling ahead of Man Booker winner, Eleanor Catton’s The Luminaries. His next novel has a contemporary New Zealand setting, and will be launched in Palmerston North on June 3.

Colleagues, as well as current and former students from the School of English and Media Studies, have been gaining a profile in both publishing and arts performance across genres in fiction, poetry, creative non-fiction, and theatre and film writing.

Associate Professor Bryan Walpert has earned accolades for his poetry, both in New Zealand and overseas. Originally from Baltimore, Maryland and now a dual citizen, he came to the Manawatū 12 years ago as the first dedicated creative writing lecturer at Massey. He’s published two poetry collections and short story collection in the US. His first poetry volume to be published in New Zealand, titled Native Bird, explores deeper nuances of adaption, with observations and feelings about his children growing up in a different place to that of his own childhood. His poem, Aubade, featuring the Manawatū’s iconic wind turbines, was shortlisted for the Montreal International Poetry Prize in 2013.

“One of the great strengths of Massey’s creative writing programme,” says Dr Walpert, “is its combination of a New Zealand foundation and an international outlook, with staff who publish in multiple countries and bring to our teaching an experience and engagement with contemporary writing and aesthetics from both New Zealand and the global community of literary scholars and writers.”

Global voices and local issues

Multi international award-winning playwright Associate Professor Angie Farrow, who came to Palmerston North from England 20 years’ ago, has been inspired to write about the local environs, as well as global topics. In her 2011 play, The River, she confronted issues of sustainability and spirituality in relation to the highly polluted Manawatū River. Meanwhile, Australian-born theatre lecturer Associate Professor Elspeth Tilley’s short play, Flotsam, was performed at 10 university theatres in the US last year as part of a global theatre movement in the lead up to the Paris conference on climate change.

Poet Dr Leonel Alvarado, originally from Honduras and now head of Massey’s Spanish Language programme, is well known on the Manawatū arts set for his evocative poetry about the Manawatū river and Māori mythology. His poem, What Stones Know, is etched into a wall of the Palmerston North City Library.

As well as winning Latin American awards for his Spanish language collections, he has expressed what his new home means through poetry with the release of his first English language collection, Driving with Neruda to the Fish ‘n’ Chips, part of the Kete Series published in 2014 by HauNui Press.

Wellington press snaps up Massey poets

New Zealand publisher Mary McCallum, who heads Wellington-based Mākaro Press, recently issued a press release in praise of Massey’s poets.  “Massey University creative writers are…making books that are creating ripples in the New Zealand publishing scene,” she says.

An author herself, Ms McCallum has drawn on a range of writers in commissioning work for the press, including some she worked with over the five years she tutored creative writing students at Massey’s Wellington campus and as a distance tutor.

Dr Walpert’s Native Bird was chosen for the Mākaro Press Hoopla series in 2015 along with collections by Jennifer Compton – a former Massey writer-in-residence in Palmerston North – and by Dunedin writer Carolyn McCurdie.

She has also signed contracts with more recent Massey graduates, with Ish Doney to be published this year, as well as graduates of the Masters of Creative Writing; Sue Wootton’s first novel Strip and poet Bridget Auchmuty’s first poetry collection.

New BA creative writing major launched

A milestone this year was the introduction of a new Bachelor of Arts major in Creative Writing with undergraduate offerings, including poetry, fiction, creative non-fiction, life writing, travel writing, script writing well as other creative options under the Expressive Arts pathway in theatre and film. Meanwhile, the distance Masters of Creative Writing programme, launched in 2010, is attracting more candidates each year, says Dr Conroy, who has supervised a number of writers who have gone on to win literary awards.

The number of doctoral degrees in creative writing is also on the rise, with stunning examples such as award-winning Auckland poet Dr Jo Emeney, who explored the emerging field of medical humanities and wrote a new collection of poems on her mother’s cancer diagnosis and treatment as part of her thesis. Poetry PhD candidates Sarah Jane Barnett and Tim Upperton have both been nominated for major poetry prizes.

Critical mass for creative writing

In 2016, Massey will also co-organise the second conference of the Aotearoa Creative Writing Research Network (ACWRN) with Auckland University of Technology. The first ACWRN conference, hosted by Massey at the Wellington campus in 2014, saw creative writers from across New Zealand meeting for the first time to discuss the future of the still-emerging discipline in New Zealand.

As numerous public literary events testify – from workshops, book launches, panel discussions, readings and campus arts performances to Off the Page events through to September, the Writers Read series – creative writing is flourishing across all three campuses.

The new Massey University Press, led by respected publisher Nicola Legat, will have creative writing on its upcoming list, including the next edition of Poetry New Zealand, edited by poet and senior lecturer Dr Jack Ross for the past three years. He, too, has included diverse migrant voices in the annual journal. He recognises New Zealand “poetries” as a “rich gamut of cultures and language which now exist in our islands expressing themselves in many languages and forms”, and is keen to publish more Māori poetry, in Te Reo Māori and English.

Massey may be best known for its teaching and research in sciences, social work and education, says Dr Conroy, but it also has strong – though less visible – tradition of excellence in creative writing and the humanities. “With the constant flow of student and staff successes these past few years, Massey’s creative writing programme is finally reaching critical mass,” he says. “We hope this will broaden the field of writing and expand the range of voices contributing to the literary arts in Aotearoa.”

Recent successes and upcoming events:

  • Australian-born writer Sacha Jones, a creative writing student, had her memoir of growing up in Sydney, The Grass Was Always Browner, published here and in Australia in May, by Finch Publishing, Sydney.
  • Poet and PhD candidate Tim Upperton was shortlisted for the 2016 Ockham Book Awards
  • Recent Master of Creative Writing graduate Bonnie Etherington has been shortlisted for the Commonwealth Short Story, along with Dr Tina Makareti, former creative writing lecturer and student – the only two of 26 on the shortlist from New Zealand.
  • Poet and senior Associate Professor Dr Bryan Walpert has been selected for the 2015 Best New Zealand Poems anthology, published by the International Institute of Modern Letters at Victoria University
  • Dr Matthew Harris, tutor in the School of English and Media Studies, won the audience award in France’s Clermont-Ferrand International competition for his script for the short film, Madam Black. The film has won several international awards.
  • Playwright Associate Professor Angie Farrow’s latest work, The Politician’s Wife, will debut at Centrepoint Theatre and Wellington’s BATS theatre in June.
  • Dr Ingrid Horrocks, senior lecture in creative writing at the Wellington campus, is this year launching a collection of essays with Victoria University Press (VUP), titled Extraordinary Anywhere.

Details here for the launch of Thom Conroy’s novel The Salted Air.

JustUs takes justice to the stage

Andrew Broadley as Michael, in JustUs

Andrew Broadley as Michael, in JustUs. Photo: Meredith Johnson

Audience members have described the premiere of JustUs, a new verbatim theatre work created by Massey University Creativity in the Community students as “powerful” and “fantastic”.

The original work, which was developed in collaboration with JustSpeak, a youth-led justice advocacy charity, was staged for the first time in Wellington today (June 1), and will return for two more performances, on June 3 and June 9.

The 40 minute one-act production combines film and live theatre to trace the journeys of two brothers through the NZ criminal justice system.  It resulted from the Massey expressive arts students’ work with JustSpeak to understand the differences in life outcome for 16-year-olds, who can access Youth Court processes, and 17-year-olds, who are tried in the adult court system. From a series of guest lectures, the students workshopped creative concepts then developed an original script.

The staging of the work is timely, with the government currently considering whether to raise the youth court age.  Principal Youth Court Judge Andrew Becroft has recently described New Zealand’s youth justice age of 17 as “an enduring stain on New Zealand’s otherwise

Fusi Mesui and Hamish Boyle in JustUs

Fusi Mesui and Hamish Boyle in JustUs. Photo: Meredith Johnson

good youth justice record.”

While New Zealand’s youth justice system was considered internationally to be “pioneering in its approach”, it had a long way to go, Judge Becroft said.

JustUs aimed to present that ‘long way to go’ concept through theatre, to reach out to an audience beyond those directly connected with the justice system and, through creativity, engage more people in considering the impact on  broader society of our justice approach to youth offending.

The dialogue in the piece is predominately taken from direct interviews the class were able to have, through working via JustSpeak, with youth offenders and the community workers who support them.  While the speech and context are real, the students then created a fictional dramatic structure around that  dialogue featuring two brothers whose only difference is age, with their upbringing, culture and crime identical.

Course coordinator, Associate Professor Elspeth Tilley, also invited established creative artists who have worked in prisons and on justice issues to talk to the class about how to apply creativity to challenging and sensitive topics.  Playwrights William Brandt and Jo Randerson, and author Pip Adam, all of whom have extensive experience teaching creative writing in prisons, were among those who helped the students by providing specialist creative guidance.

JustUs poster - design by Fusi Mesui.

JustUs poster – design by Fusi Mesui.

Audience members’ written feedback after the first performance included “Fantastic performance, really powerful and wonderfully performed. Thank you so much, and well done to all the cast and crew,” and “That was truly awesome – had tears in my eyes.”  Another said “What a great performance. I was so impressed. It was fantastic.”

JustUs returns to the stage on June 3, 2016 at 7pm as part of the Wellington Expressive Arts Students’ End of Semester Showcase and on June 9, when it will begin at 6.30pm, be held at a larger venue in downtown Wellington and followed by a speaker panel and community forum.  All welcome. Entry at the final performance will be by koha to support the advocacy work of JustSpeak.

To receive updates join the Facebook event for the June 9 event at https://www.facebook.com/events/604959266344766/

 

 

Please say hi to us on our social media!

Twitter_logo_blueThe School of English & Media Studies has joined Twitter! If you’re an EMS student, graduate or simply interested in creative writing, theatre, English literature, media studies, communication, academic writing and the diverse research associated therewith, and you tweet, please get in touch with us at @SEMSMassey and tell us what you’re up to – we’d love to connect with you.

We’ve also been on Facebook for a while now and you can check us out at https://www.facebook.com/theschoolofenglishandmediastudiesatmassey/

Feel free to tag, message or post/tweet us on either or both if there’s something you’d like to know or something you think we should be sharing on our pages.

 

Angie Farrow on Radio National

Angie Farrow was recently on Radio National’s ‘Standing Room Only‘ talking about the upcoming season at Centrepoint Theatre called ‘Plays With a Purpose‘, and more specifically about her own new play ‘The Politician’s Wife‘ which performs in June 2016 in the Manawatu and Wellington.

You can hear the interview at http://www.radionz.co.nz/audio/player/201801614.

full_Angie_Farrow

Research Roundup

We’ve been busy. Here’s a snapshot of some of the research that’s come out of the School in the first four months of 2016.

Three staff books!

Dr Pansy Duncan had a book published: The Emotional Life of Postmodern Film. Routledge, 2016.

Dr Jenny Lawn, J. had a book published: Neoliberalism and cultural transition in New Zealand literature, 1984-2008: Market fictions. Lanham, MD: Lexington Books, 2016.

Dr Allen Meek had a book published: Biopolitical Media: Catastrophe, Immunity and Bare Life. Routledge, 2016.

Pansy Book Jenny Book Allen Book

 

 

 

 

 

 

 

 

 

 

 

A number of exciting articles and book chapters by English and Media Studies staff

Dr Rand Hazou co-authored an article: ‘E(Lab)orating Performance: Transnationalism and Blended Learning in the Theatre Classroom’, Research in Drama Education 20.4. 1 December.

Dr Jenny Lawn co-edited a special journal issue on Neoliberal Culture/The Cultures of Neoliberalism: Sites: A Journal of Social Anthropology and Cultural Studies 12. 1. She also wrote the introduction:  ‘Introduction: Neoliberal culture/the cultures of neoliberalism’. Sites 12.1, pp. 1-29.

Dr David Gruber had an article published: ‘The extent of engagement, the means of invention: Measuring debate about mirror neurons in the humanities and social sciences’.  Journal of Science Communication 15.2, A01. (February 2016).

Dr Nicholas Holm had an article published: ‘Humour as edge-work: aesthetics, joke-work and tendentiousness in Tosh.0’, Comedy Studies 7.1 (2016)

Dr Simon Sigley had an article published: ‘Programming (Bi)Cultural Memory: Remembrance, reinvention, and Commemorative Vigilance at the Film Archive, Ngā Taonga Sound & Vision’, Reconstruction: Studies in Contemporary Culture 16.1 (2016). http://reconstruction.eserver.org/Issues/161/Sigley.shtml

Dr Philip Steer had an essay published: ‘Colonial Gothic’, in The World Novel until 1950, ed. Ralph Crane, Jane Stafford, and Mark Williams (Oxford: Oxford University Press, 2016).


Staff presentations both local and international

Dr Kevin Glynn presented: ‘Costeño Media: Struggles for the Meanings of Blackness and Indigeneity on Nicaragua’s Caribbean Coast’, at ‘The Meaning of Blackness II’, International Conference, University of Costa Rica, 15 – 18 February.

Dr Kevin Glynn also presented: ‘Proliferating Nicaraguan Mediascapes: The FSLN, indigenous rights and media convergence’, at the Association of American Geographers (AAG) Annual conference, San Francisco, USA, 29 March – 2 April.

Dr Alex Bevan presented: ‘Unglamorous Work: Media Labor’s Discontents’ and was a panel chair at the ‘Society for Cinema and Media Studies Conference’, Atlanta, USA, 30 March – 3 April.

Dr Thom Conroy and Dr Ingrid Horrocks were panellists at the Ruapehu Writer’s Festival, Ohakune, 17 – 21 March. Thom spoke on a panel on ‘Fiction and Biography’ and Ingrid on one on ‘The Desert Road’, and on a special panel convened to discuss her forth-coming co-edited collection: Extraordinary Anywhere: Essays on Place from Aotearoa New Zealand.

and

The School hosted presentations on various campuses as part of the W.H. Oliver Research Academy Research Series

Friday Feb 26     Massimiano Bucchi, Newton’s Chicken. Communicating Science in the Kitchen

Friday 22 April    Nicola Legat, “Will you publish, um, books?” The first six months of the new Massey University Press and how it can support Humanities.

Friday 29 April    Leleiga Taito, An in-depth ethnographic study of the values, communication norms and safety attitudes of snowboarders.  This was part of her BC Honours Research.  Ms Taito received a GNS Science Scholarship and a College Summer Scholarship to produce a detailed written report and a series of video outputs.

Friday 6 May      Kyle Powys Whyte, Indigenous Peoples and Climate Change: Basic Issues.

Tthe full programme and recordings of some of the seminars are available on the School of English and Media Studies website.

Lahar awareness research will help save lives – Massey University

Many skiers and snowboarders on Mt Ruapehu do not know how to get to safety if a potentially deadly lahar came rampaging down the mountainside, research from Massey graduate Leleiga Taito shows.

Source: Lahar awareness research will help save lives – Massey University

Many skiers and snowboarders on Mt Ruapehu do not know how to get to safety if a potentially deadly lahar came rampaging down the mountainside, research from Massey graduate Leleiga Taito shows.

It is believed to be the first international research that has documented a disconnect between safety information about lahars (the volcanic flow of ash, snow and rocks) and the key 18-30 year-old age group of young adventure sport enthusiasts.

“Many people didn’t know what a lahar is, or that they may have less than two minutes from the warning siren to escape,” Ms Taito says.

The Upper Hutt woman, who is the first in her family to graduate from university, will be conferred with a Bachelor of Communication honours degree (First Class) at the Michael Fowler Centre on Thursday.

Her research, investigating barriers at Whakapapa ski field that may be stopping young people from following safety instructions, was partly made possible by the awarding of a GNS Science scholarship arranged in partnership with Massey’s School of English and Media Studies and the Joint Centre for Disaster Research. It is hoped Massey students will help to develop further resources based on Ms Taito’s research to address the issue in the future.

There are plans also for Ms Taito’s findings to be used by GNS Science, the Department of Conservation and Ruapehu Alpine Lifts to communicate better with young skiers and snowboarders.

Twice-yearly tests of the Eruption Detection System over the past five years showed up to 50 people per test failed to get out of the valleys.  Those people were asked to fill in a survey, which showed some didn’t know they were in danger zones, or thought they had traversed high enough out of the valleys to be out of danger.

Ms Taito had only ever been on the snow once, joking: “Samoans don’t do snow”. She spent three months working for the ski lift operator while living at Whakapapa village at Mt Ruapehu last winter. Describing herself as a “Samoan population of one”, she conducted in-depth research observing the behaviour of 257 mountain users and interviewing 29 of them about their awareness of lahar risk.

She found the sub-culture of young experienced snowboarders and skiers have their own lingo and use euphemisms that normalise crashing and unsafe behaviour on the mountain. They deal with serious situations such as accidents, hazards and emergencies using humour and friendly teasing.

“Skiing is such a hazardous sport and they become desensitized to the danger factor. They are there to have fun and don’t want to think about anything happening- they call it a buzz kill. Anti-authoritarian framing is the norm for a subculture such as adventure sports enthusiasts,” she says.

The research participants offered a range of safety suggestions, including better locational identification on trail maps and creating a cellphone app that provides safety information.

Ms Taito attended a pre-season briefing with emergency service staff from the mountain to share her insights.  Her recommendations include better signage and using digital technology to inform and remind people they are on an active volcano and what to do when the lahar warning siren sounds.

“Young skiers and snowboarders’ love of speed could also be turned into a positive communication feature,” she says.

Safety communications could tap into their own group values by featuring a great skier speeding down the mountain contrasted with the speed of a lahar to show that nobody can outrun a lahar.”

After five years of study at Massey, Ms Taito is looking forward to visiting family in Australia, going back to the mountain to see her new snow buddies and looking for her first permanent communications’ job.  But first of all there is going to be a big party this week when her large family celebrates her graduation. And she hopes to get her family up to the snow this ski season.