Category Archives: Wellington

Expressive Arts at Massey Wellington campus

Penguins on stage and street in climate change action – Massey University

Donning Catherine Bagnall's costumes for the 'Becoming Penguin' walk are fourth year fashion students Jacob Coutie, Jordie Agnew and Hannah Tate.

Donning Catherine Bagnall’s costumes for the ‘Becoming Penguin’ walk are fourth year fashion students Jacob Coutie, Jordie Agnew and Hannah Tate.

Using theatre to turn people into penguins is a symbolic way to highlight some of the planet’s most vulnerable species in this year’s global Still Waving: Climate Change Theatre Action events in Wellington.

Co-organiser Massey University’s Associate Professor Elspeth Tilley says a number of Massey staff and students will become “human penguins” on stage and in the streets of Wellington this Labour Weekend. They are showcasing how artists and performers can respond to environmental and social issues – in this case, the serious threat of global warming to the existence of Antarctica’s penguin populations.

Her new play, The Penguins, is being performed in 14 locations worldwide from Paris to Shanghai and the United States, as well as at Massey’s Wellington campus on Labour Day (October 23). It is one of nine short plays on climate change featured at this year’s Still Waving: Climate Change Theatre Action event at Massey – part of a six-week global movement to highlight climate change issues through performance.

In a thematic prelude, participants will take to the streets of central Wellington in the “Becoming Penguin” performance walk, starting at the Cenotaph at Parliament at 1pm and heading to Massey University. Participants (everyone welcome) are invited to join the walk wearing whatever black and white items they have in their wardrobe that lend a penguin “look”.

Creator of “Becoming Penguin”, Massey lecturer in the School of Design | Ngā Pae Māhutonga, Catherine Bagnall, is an artist whose work focuses on the edges of fashion studies and its intersection with performance practices.

“In the context of questions about humanity’s relationship to the planetary ecosystem and how we categorise ‘other’ species, ‘Becoming Penguin’ explores ideas about the end of the Anthropocene and the beginning of the post-human world,” Ms Bagnall says.

The walk, she says, is to “symbolise support for all the communities taking personal responsibility for climate action at a local level, when governments won’t.”

World premieres staged

Following the “Becoming Penguin” walk, a cast of 23 – including well-known Wellington professional actors alongside Massey students and staff – will stage nine climate action plays by writers of Jamaican, Portuguese, Native American, Australian, New Zealand, Samoan, Canadian and US descent at the campus Theatre Laboratory from 2pm.

“The programme includes two world premieres – a short play by Samoan writer/director Ian Lesā about Pacific Island climate change issues, and one by Kat Laveaux, a playwright from the Lakota tribe in the United States, who visited Massey University earlier this year as part of the National Expedition and Internship Programme, and became keen to participate in Climate Change Theatre Action,” says Dr Tilley.

Also featuring is work by another School of English and Media Studies playwright, Philip Braithwaite, whose short play “Swing Among the Stars”, about colonising Mars, is scheduled for nine Climate Change Theatre Action performances globally.

In her play, Dr Tilley explores human behaviour and attitudes from another species’ perspective (one in which the males ‘stay home’ and look after the young) to provide an innovative and often hilarious framework into which serious ideas can be woven.

“It’s also a way of giving people hope. Penguins have been around for 60 million years, whereas humans have been on the planet for about two million years,” she says. “I think it’s important not to hit people in the face with a message.”

Art and creativity on social issues

Dr Tilley, a lecturer in theatre studies in the School of English and Media Studies – including the Creativity in the Community paper (in which students apply skills in theatre, performance, film-making, creative writing, media practice or mixed media to developing a creative response to a social issue or community need) – is the author of several award-winning plays on climate change and social issues, and producer of the biennial Aotearoa Climate Change Theatre Action events, launched in 2015.

She says the process of creating and performing theatre about a difficult and daunting topic can be empowering for participants and audiences.

“People get bombarded with information about climate change and the doom-filled scenarios – the result is that people become complacent and switch off,” she says. “The performances in Still Waving will entertain, console and confront you with works that are humorous and intense, problem-illuminating and solution-focused, powerful, sometimes funny, sometimes catastrophic, often moving and inspirational.”

All proceeds from the Still Waving event go to youth-led climate action group Generation Zero, which is campaigning for a zero carbon New Zealand economy.

For more information, check out the Still Waving: Climate Change Theatre Action Facebook page.

Source: Penguins on stage and street in climate change action – Massey University

Still Waving: Climate Change Theatre Action

CCTA Aotearoa's Nine Playwrights

CCTA Aotearoa’s Nine Playwrights

With only a few days to go until Still Waving: Climate Change Theatre Action Aotearoa 2017, we are excited to bring you the full programme.

On October 23, we will be staging nine short plays at 2pm in the Massey University Wellington Theatre Laboratory:

  • Start Where You Are, by E. M. Lewis – a poignant look at how to remain hopeful in the face of calamity, by an award-winning Oregon-based playwright
  • The Penguins, by Elspeth Tilley – lifting our spirits through comedy as we find out what penguins think of humanity
  • Truth Like Water, by Kat Laveaux – premiering a compassionate view of the world from an emerging Native American playwright whose tribe stands in defiance at the Dakota Access Pipeline protests
  • A Girl’s Dance, by Ian Lesā – also a world premiere: a powerfully spiritual work from a new voice, Samoan New Zealand playwright and director Ian Lesā
  • Brackendale, by Elaine Ávila – a wry comedy about Bald Eagles and rubbish dumps, from a Canadian/US writer of Azorean Portuguese descent
  • Single Use, by Marcia Johnson – a Jamaican playwright’s very modern sketch of online dating in the 21st century and how we decide what’s important in a partner
  • Swing Among the Stars, by Philip Braithwaite – an interstellar future, from the imagination of a multi-award-winning New Zealand playwright
  • Homo Sapiens, by Chantal Bilodeau – a trip to the zoo, a century from now. What will be on exhibit? A provocative comedy from the co-founder of Climate Change Theatre Action, and;
  • Rube Goldberg Device for The Generation of Hope, by Jordan Hall – an interactive experience that will get you off your feet, from a fresh and inspirational Canadian playwright.

There will also be readings of the three winning pieces in our Climate Change Theatre Action Creative Writing Competition, and a short talk from Generation Zero about what you can do to pitch in in the fight against climate change.

Still Waving is a paperless event, so please download our full programme in a PDF file, here for more detail of cast and crew: Still Waving Final Programme PDF 3

If you haven’t got your ticket yet, get one now from EventFinda: https://www.eventfinda.co.nz/2017/still-waving-climate-change-theatre-action-aotearoa-2017/wellington

And don’t forget, you can also join the ‘Becoming Penguin’ Performance Walk just prior to Still Waving if you’re keen – details at http://sites.massey.ac.nz/expressivearts/2017/08/30/becoming-penguin-a-performance-walk/

 

Becoming Penguin, a Performance Walk.

King Penguin Couple. Photo credit David Stanley (Creative Commons 2.0)

King Penguin Couple. Photo: David Stanley (Creative Commons 2.0)

In your white shirts and black tails, in your navy-blue dresses or in wetsuits and flippers or anything ‘penguin’ from your wardrobe please come and join us on a waddle, a ‘becoming penguin’ performance walk. If you have nothing penguin in your wardrobe, come with a penguin state of mind and we will supply you with some penguin apparel.

As part of Still Waving: Climate Change Theatre Action Aotearoa, performance artist Catherine Bagnall will lead the walk from Parliament grounds up to Massey University Wellington, where the climate change play ‘The Penguins’ will be performed, along with other climate action plays from Aotearoa and the world. Walking from Parliament into the community symbolises the theme of Climate Change Theatre Action 2017 – that there are steps communities can take to act together and make a positive difference, even when governments won’t. And that every step, however small, is important.
It’s free to join the Becoming Penguin performance walk: if you then want to stay for the theatre action show, tickets to see the plays are available by small koha to Generation Zero and can be purchased from https://www.eventfinda.co.nz/2017/still-waving-climate-change-theatre-action-aotearoa-2017/wellington
To join ‘Becoming Penguin’, meet at the Cenotaph next to Parliament Grounds at 1pm on Monday October 23.
Catherine Bagnall is an artist whose work focuses on the edges of fashion studies and its intersection with performance practices. Testing the bounds of self through performative acts of ‘dressing up’, her research offers new modes of experience that use performance to explore the possibility of becoming ‘other’, a different species for example. In the context of questions about humanity’s relationship to the planetary ecosystem and how we categorise ‘other’ species, ‘Becoming Penguin’ explores ideas about the end of the Anthropocene and the beginning of the post-human world.
See more about Still Waving: Climate Change Theatre Action Aotearoa 2017 at https://www.facebook.com/events/163701054197372/
Still Waving is part of the worldwide series of CCTA readings and performances of short climate change plays presented biennially in support of the United Nations Conference of the Parties. CCTA is organised globally by the Center for Sustainable Practice in the Arts, NoPassport Theatre Alliance, The Arctic Cycle and Theatre Without Borders. CCTA Aotearoa is brought to you by Massey University School of English & Media Studies, in partnership with Massey University Ngā Pae Māhutonga – the School of Design, Generation Zero, and Pukeahu ki Tua: Think Differently Wellington.

Still Waving: New Voices Climate Action Creative Writing Competition

Write, inspire and win! As part of our Climate Change Theatre Action 2017 event, ‘Still Waving,’ the Massey University School of English & Media Studies and Pukeahu ki Tua: Think Differently Wellington are proud to announce a climate action creative writing competition for new and emerging writers.

Prizes:

1st place – $300

2nd place – $200

3rd place – $100

 

Thematic guidelines

The creative writing competition aligns with Climate Change Theatre Action’s global theme, which is that “climate action requires a hopeful vision of the future”.

CCTA 2017 asks the question: “How can we turn the challenges of climate change into opportunities?”

We are looking for creative writing that provides hope, inspires positive action, and illuminates individual and collective solutions.  There is still time to change the course of climate change: it is not too late, but it will require a collective will the likes of which planet earth has seldom seen. How can you use your writing, your particular voice, to help people visualise, embrace and achieve that change? What specific images can we find to illuminate why people should care about the environment? How can we move people without preaching to them or becoming didactic?

Politics is a surface in which transformation comes about as much because of pervasive changes in the depths of the collective imagination as because of visible acts, though both are necessary. And though huge causes sometimes have little effect, tiny ones occasionally have huge consequences. . . (Rebecca Solnit)

Genre:

We are accepting five types of entry:

  • Twitterature (tell a story in no more than 140 characters)
  • Flash Fiction 100 Words (tell a story in exactly 100 words – no more and no less)
  • Poetry (any length up to 200 words)
  • Short stories of up to 1200 words.
  • Personal essays of up to 1200 words.

To enter:

Please email your entry in the body of an email to climateactionwriting@gmail.com by 5pm (NZ time) on Friday October 6, 2017.

Entry is open to all new and emerging writers. We take this to mean anyone who has not published a book.  By entering you agree to publication of your entry and your name in social media. You may enter as many different items as you like.  Please include your full name and the city or town you live in, with your entry.

The judge:

We are grateful to Dr Ingrid Horrocks from the School of English & Media Studies for agreeing to judge the Still Waving Climate Writing competition.  Ingrid’s creative publications include two collections of poetry, a number of personal essays, and a genre-bending travel book.

More about Still Waving:

Still Waving, our 2017 Climate Change Theatre Action Aotearoa event, will take place on October 23 at Massey Wellington campus. There will be plays, readings, a performance art installation, and of course the prize-giving announcement of the fabulous winners of this competition!  Still Waving is part of the global Climate Change Theatre Action 2017, which involves 50 selected plays (including two from our school) and more than 180 events in 41 countries. This is the second time we have participated in CCTA and we are delighted to be back! Check it all out at: https://www.facebook.com/events/163701054197372/

Clermont-Ferrand short film festival winner

Big congratulations to our Wellington media production lecturer Costa Botes and his longstanding mentee Zoe McIntosh who have won a coveted prize in the 2017 Clermont-Ferrand short film festival in France. The festival is the biggest event of its type in the world. It’s a feat just to get selected for competition, then Zoe and Costa’s film The World in Your Window has picked up the Student Prize in the international competition – this is an award given by an international student jury. The jurors described the film as “a real visual poem”. The jury announcement said “we were all touched by the relationship you depicted between a dad and his son. The breath of humanism and tolerance that emerges from your film is extremely moving.” The World in Your Window is directed by Zoe McIntosh, written by Costa Botes and Zoe McIntosh, and produced by Hamish Mortland. It will have its New Zealand premiere at the New Zealand International Film Festival mid year.

Public Plenary Lecture – Celeste Langan

Celeste Langan, Associate Professor in the UC Berkeley Department of English, will be speaking in Wellington at the upcoming RSAA conference “Transporting Romanticism” on Friday 17 February.  Details are below:

Under Arrest: Transport and Security (Excitation and Citation)

Friday 17 February 2017
4.45pmpm
The Pit 12B09 – Te Ara Hihiko, Massey Wellington

Recent books on the modern revolution in transport enabled by the shipping container remind us that the term “logistics,” now used primarily to signify systems “allowing circulations to take place,” was first used by one of Napoleon’s former generals: a chapter in Jomini’s The Art of War was titled “Logistics; or the Practical Art of Moving Armies.” How might we think of what is after all the continuing project of “transporting Romanticism” in relation to global logistics and the shipping container? Reminded that books of poems are carried on the same ships that transport settlers and soldiers, what changes about our understanding of their power to transport? Recognizing the press as an “information delivery system,” how can we differentiate between the “hackney’d” phrase Byron identifies with cant and those “truths” that “must be recited,” truths “you will not read in the gazette?”  Focusing on the quotation and the capsule as figures of containerized movement in Byron’s Don Juan and Kleist’s Michael Kohlhaas, I’ll explore their attempts to develop a counterlogistics of the word.

 

Celeste Langan, Associate Professor in the UC Berkeley Department of English, is the author of Romantic Vagrancy: Wordsworth and the Simulation of Freedom, a study of why and how Rousseau and Wordsworth represent political freedom as freedom of movement. More recently, she has helped to develop the subfield of Romantic Media Studies, with essays like “Understanding Media in 1805,” “The Medium of Romantic Poetry” (co-authored with Maureen McLane), and “Pathologies of Communication from Coleridge to Schreber.” Her current book manuscript, Post-Napoleonism: Literature and the Afterlife of Sovereignty, traces the migration of the political concept of sovereignty into the domain of the literature. Drawing on the Freudian concept of “afterwardsness” or the après coup, the book illuminates ways in which the newspaper report of an event is foundational to a new idea of literature as mediated utterance.

 

 

This plenary is made possible by the W.H. Oliver Humanities Research Academy, Massey University.  It forms part of Transporting Romanticism, Romantic Studies Association of Australasia Biennial Conference, 16-18 February 2017, co-hosted by Massey University and Victoria University of Wellington. https://rsaa2017.wordpress.com/

Congratulations Alice on Weta win!

Alice Guerin, appearing in Climate Change Theatre Action in 2015.

Award-winning student filmmaker Alice Guerin, appearing in Climate Change Theatre Action in 2015.

A huge well done to Bachelor of Communication (Expressive Arts) student Alice Guerin for taking out a coveted Weta Digital prize for her documentary film about overfishing. Alice has won an Outlook for Someday award – a sustainability film competition open to young people under 25.

Alice has always had a passion for the environment and for creative activism (she volunteered in Climate Change Theatre Action her first year with us at Massey Wellington). And now after studying Documentary Film with acclaimed documentary filmmaker and School of English & Media Studies lecturer Costa Botes as part of her Bachelor of Communication major in Expressive Arts, she has achieved this fantastic success.

We are very proud of you Alice!

See more detail in this story on Stuff: http://ssl-www.stuff.co.nz/environment/87503410/Massey-student-wins-Weta-Digital-Award-for-documentary-on-overfishing

You can view Alice’s winning film at: https://vimeo.com/189142375

Research Round-up – July, August and September

A Book published, and a play:

  • Ingrid Horrocks launched a co-edited book (with Cherie Lacey), Extraordinary Anywhere: Essays on Place from Aotearoa New Zealand (Wellington, Victoria  University Press, 2016) at Unity Books, Wellington,  on Tuesday 26 July. http://vup.victoria.ac.nz/extraordinary-anywhere-essays-on-place-from-aotearoa-new-zealand/ Three essays by School of English and Media Studies staff are included in the collection:
    • Horrocks, I.A. with Cherie Lacey, “Writing Here” (8-20).
    • Horrocks, I.A. “Writing Pukeahu: A Year (and More) of Walking in Place” (78-93).
    • Ross, J. “On the Road to Nowhere: Revisiting Samuel Butler’s Erewhon (131-45).
    • The book is also a collaboration with two designer researchers from the College of Creative Arts, Jo Bailey and Anna Brown.

Ingrid Horrocks discussed the collection with Wallace Chapman and Professor Harry Ricketts on Radio NZ: http://www.radionz.co.nz/national/programmes/sunday

Ingrid

 

 

 

 

 

 

 

 

  • Associate Professor Elspeth Tilley’s play ‘Waiting for Go’, was performed at the ‘Short+Sweet International Short Play Festival 2016 Canberra Season, Week 1 Top 20 plays’, Canberra Theatre Centre, 9-12 August.

Elspeth

‘Waiting for Go’ at the Canberra Short & Sweet Festival, featuring Ben Harris and Samuel Gordon Bruce

 

 

 

 

 

 

A number of articles and book chapters appeared by English and Media Studies staff:

  • Hazou, Rand T. (2016, January 1). “Performing digital: Multiple perspectives on a living archive” [Book Review]. Australasian Drama Studies, (68), 209-213.
  • Hazou, Rand. (2016, January 1). Real men at play: Massive Company’s the Brave. Australasian Drama Studies, (68), 97-117.
  • Gruber, D.R. (2016). “A review of ‘American Lobotomy: A Rhetorical History’ by Jenell Johnson” [Book Review] Configurations2: 263-265.  See http://muse.jhu.edu/article/626106
  • Ross, Jack. “Company.” In An Encounter in the Global Village: Selected Stories from the 14th International Conference on the Short Story in English (English-Chinese). Ed. Jin Hengshan. Shanghai: East China Normal University Press, July 2016. 366-77.
  • Ross, Jack. “Eketahuna.” In Influence and Confluence: East and West. A Global Anthology on the Short Story. Ed. Maurice A. Lee. Shanghai: East China Normal University Press, July 2016. 388-95.
  • Simon Sigley published two videos, Loren from Wellington and Ken from Dunedin in the interviewprojectnz.com series of portraits of ‘ordinary’ New Zealanders.
  • Steer, Philip had an essay published: ‘Colonial Ecologies’, in A History of New Zealand Literature, (Cambridge University Press, 2016).
  • Huffer, Ian had an article published: ‘New Zealand film on demand: searching for national cinema online’ in Continuum: Journal of Media and Cultural Studies, Vol 30, Issue.
  • Associate Professor Elspeth Tilley had an article published: ‘Theatre in the Age of Climate Change: An Educator’s View’, in Howlround: A knowledge commons by and for the theatre community, Boston, MA: Office of the Arts, Emerson College.


Staff made connections and gave presentations around New Zealand and around the world:

  • Dr Thom Conroy was a panel member at the Hamilton Book Month Fiction Panel, Hamilton, 17 August.
  • Dr Kevin Glynn travelled to Santa Muerte to conduct Marsden funded fieldwork and also to [participate in a workshop on neoliberalism and urban poverty.
  • Associate Professor Joe Grixti presented: ‘Indigenous Media and the Disjunctive Flows of Globalization’, and chaired a panel at the ‘XI European Conference on Social and Behavioural Sciences’, Sapienza University, Rome, 1 – 4 September.
  • Dr Ingrid Horrocks presented ‘“I am strangely displaced”: Troubling Romantic Mobilities’, at the ‘North-American Society for the Study of Romanticism Conference’, University of California, Berkeley, USA, 11-14 August.
  • Dr Mary Paul presented: ‘Substitution and seclusion in Life Writing teaching’, at Ahi Ka: Building the Fire’creative writing conference, AUT, Auckland, 10 September.
  • Dr Jack Ross attended a short story conference in Shanghai from 12-16 July 2016 and gave the following presentations:

Jack Ross: “Settler & Speculative Fiction in the NZ Short Story: A Tale of Two Anthologies,” a paper given at the 14th International Conference on the Short Story in English: “Influence and Confluence in the Short Story: East and West” (East China Normal University, Shanghai, China, 13-16 July 2016).

Jack Ross: Member of Plenary Panel on “Influence and Confluence in the Short Story: East and West” at  the 14th International Conference on the Short Story in English, with Dr Hensheng Jin (chair) and fellow-panellists Fang Fang, Yu Hua, Zhao Mei, Su Tong, Bi Feiyu, Robert Olen Butler, and Evelyn Conlon (East China Normal University, Shanghai, China, 13-16 July 2016).

Jack Ross: Member of Panel on “‘The V word’ – Voice in the New Zealand Short Story” at  the 14th International Conference on the Short Story in English: “Influence and Confluence in the Short Story: East and West,” with Tracey Slaughter (chair) and fellow-panellists Bronwyn Lloyd, Frankie McMillan and Leanne Radojkovich (East China Normal University, Shanghai, China, 13-16 July 2016).

Jack

 

 

 

 

 

 

 

 

  • Dr Jack Ross presented: ‘What should a magazine called Poetry NZ look like?’, and gave a Poetry Reading: ‘Poetry Adventures on and off the page’, at the University of Canberra Poetry Festival, 6-16 September.
  • Dr Philip Steer presented a co-authored paper: ‘Signatures of the Carboniferous: Coal Power in the Age of Man’, at the ‘V-Cologies conference’, Davis University, California, 16-17 September.
  • Dr Sy Taffel’s film: ‘Connect to the Heartland’, was screened as part of a Palmerston North-based Massey Residence Halls film night, 27 September and at Takaro Rotary Club in Palmerston North, 29 September.
  • Dr Kim Worthington presented a co-authored paper: ‘Reading Coetzee’s Women’, at a Conference hosted by Monash University in Prato, Italy, 27-29 September.
  • Associate Professor Bryan Walpert gave a presentation, ‘Border Crossers: Identity, Place and New Zealand Voice(s)’, at the ‘Ahi Ka: Building the Fire’ creative writing conference, AUT, Auckland, 10 September.


The School hosted a conference on Creative Writing: Building the Fire

  • On 10 and 11 September, Dr Thom Conroy, English and Media Studies, organised ‘Ahi Ka: Building the Fire’, the second creative writing colloquium sponsored by the Aotearoa Creative Writing Research Network. The colloquium was co-organised with the Auckland University of Technology and held at their city campus. The conference committee consisted of Dr Thom Conroy and Associate Professor Bryan Walpert from the School of English and Media Studies, and James George from AUT. The keynote speaker was the Pasifika poet and lecturer Dr Selina Tusitala Marsh.

Selina

 

 

 

 

 

 

 

 

 

 

Ahi Ka: Building the Fire keynote speaker Selina Tusitala Marsh     

 

Thom

 

 

 

 

 

 

 

 

 

 

Dr Thom Conroy at ‘Ahi Ka: Building the Fire’

 

And hosted events that allowed others to connect and imagine together:

  • July 1 saw 187 high school students and teachers hosted on Wellington campus for the Create1World Global Citizenship and Creative Activism Conference. Attendees heard from 16 national and international creative activists via a global Zoom linkup, heard the Kiwi students who were chosen as finalists in the national #Create1World competition present their song-writing, performance, media and creative writing entries for judging, and got together to brainstorm creative solutions to planetary problems, which will be presented as a report to political leaders.  Radio New Zealand covered the conference here: http://www.radionz.co.nz/national/programmes/standing-room-only/audio/201807707/creative-activism

Lizzie

Lizzie Marvelly, BA graduate and guest judge, with finalists from Wellington College; a team of six performers from St Cuthbert’s College in Auckland took out first place in the performance category with their short play ‘Stories of Syria’.

 

 

 

 

 

  • The School’s series, ‘Creativity at the Centre’, presented award winning Austrian author Julienne van Loon at the Manawatu Campus on 17 August.

AOW

 

 

 

 

 

 

 

 

 

 

 

  • Hosted ‘Chicago Style Improvised Theatre: A Weekend Immersion Workshop’, in the Wellington Theatre Lab on 12 August.
  • On 28 September, ‘Pukeahu ki Tua Think Differently Wellington’ sponsored: ‘Imagining Together’, a multidisciplinary panel discussion about creativity at Wellington campus organised by Associate Professor Elspeth Tilley, School of English and Media Studies, Ms Stella Robertson, College of Creative Arts, and Dr Martina Battisti, Massey Business School. The panellists: Juliette Hogan, (Fashion Designer),  David Clayton, (Animation Supervisor, Weta Digital), Jason O’Hara, (Artist/Photographer), Greg Ellis, (Theatre/Comedy), Dr  Ingrid Horrocks, School of English and Media Studies, (Creative Writer), and Warren Maxwell, (Musician), explored the differences and similarities in their creative process through a discussion of risk and uncertainty in creative careers.

 

Imagining

 

‘Imagining Together’, Wellington Campus, 28 September

 

 

 

 

 

Spotlight on Tutor Staff Research

In this post we focus on some of the 2016 successes of our brilliant tutors. Our English and Media Studies tutors have been especially active in the creative areas.

Bronwyn Lloyd participated in the Conference Influence and Confluence in the Short Story: East and West at East China Normal University, Shanghai (13-16 July, 2016). Bronwyn was part of a panel discussion on “Voice in the New Zealand Short Story” with fellow writers Tracey Slaughter, Jack Ross, Frankie MacMillan and Leanne Radjokovich. She was a panellist in a plenary session discussing the question, “Who Owns the Text – The Writer or the Scholar?” with a group of international academics and writers. Bronwyn also read several of her short stories, including the two published in the conference anthology from her nearly completed collection of autofiction, “A Slow Alphabet”: “I for Indifference” and “H for Habit”.

A link to Jack Ross’s blogpost about their trip to Shanghai can be found here: http://mairangibay.blogspot.co.nz/2016/07/jack-bronwyns-shanghai-adventure.html


Tim Upperton
’s poetry book was a finalist in the Ockham NZ Book Awards:

Tim

http://www.scoop.co.nz/stories/CU1603/S00164/ockham-new-zealand-book-awards-finalists-announced.htm

http://www.haunuipress.co.nz/the-night-we-ate-the-baby.html

Tim also published poems in Sport 44 (Victoria University Press) http://vup.victoria.ac.nz/sport-44-new-zealand-new-writing-2016/ and New Zealand Books, Autumn 2016 http://nzbooks.org.nz/2016/contents/issue-113-autumn-2016/ as well as in the Annual (Gecko Press) for children, http://www.annualannual.com/#/new-page-5/ and a number of reviews and articles: Metro, NZ Listener, The Spinoff, Radio NZ National.


Sarah Laing
published a graphic memory and an anthology:

Sarah

Mansfield and Me: A Graphic Memoir http://vup.victoria.ac.nz/mansfield-and-me-a-graphic-memoir/http://vup.victoria.ac.nz/mansfield-and-me-a-graphic-memoir/

Three Words: An Anthology of Aotearoa/NZ Women’s Comics http://www.beatnikshop.com/products/three-words

 

 

 

 

 

 

 

Matthew Harris’s most recent film MADAM BLACK has screened at over 100 festivals and won 30 awards to date, including the Prix du Public at Clermont-Ferrand Short Film Festival – FRA (2016), Best Short at Cannes Cinéma des Antipodes – FRA (2016), Directors Choice at the Rhode Island Film Festival – USA (2015), as well as Audience Awards at São Paulo International Short Film Festival – Brazil (2016), Leeds International Film Festival – UK (2015), Cleveland International Film Festival (2016), and the NZ International Film Festival (2015).

https://vimeo.com/131468062

http://www.nzfilm.co.nz/key-people/matthew-harris

Fiona Shearer published a book chapter and co-authored an article:

Shearer, F. (2016). Snapshot – Literacy Aotearoa: Combining formal and informal public relations methods. In J. Johnston, Public relations and the public interest.  New York: Routledge.

And co-authored piece on Puke Ahu Project forthcoming –

Peace, R. & Shearer, F. (forthcoming) Puke Ahu: Articulating a place-based, university campus identity. Kotuitui: New Zealand Journal of Social Sciences

And

Tim Corballis, amongst other things, published a number of book chapters, had a collaborative video artwork shown at the 5th Taiwan International Video Art Exhibition 2016, and published half a dozen reviews for www.circuit.org.nz/blog.

Corballis, T. (2016). Confronted Worlds: Collaboration as the Gap between Art and Literature. In Sondra Bacharach, Siv B. Fjærestad & Jeremy Neil Booth (Eds.). Collaboration in the Twenty-First Century. Milton Park, Abingdon: Routledge.

Corballis, T. (2016). There is No Up, There is No Down. In Ingrid Horrocks & Cherie Lacey (Eds.). Extraordinary Anywhere: Essays from Aotearoa New Zealand. Wellington: Victoria University Press.

Corballis, T. (2016). Letters from Reality: The Art of Gregory O’Brien. Art New Zealand, 158, 82-85.

Corballis, T., Machine Wind, video artwork, Negative Horizon—the 5th Taiwan International Video Art Exhibition 2016, Hong-Gah Museum, Taipei 2016 (with Fiona Amundsen)

2 Readings/panel discussions, Ruapehu Writers’ Festival, Ohakune, 2016

Reading with video accompaniment, LitCrawl, Potocki Paterson Gallery, 2016

 

And there’s a lot going on we don’t list here. It’s been a good year (in some ways at least).