Category Archives: Media Studies

Create1World Moving to Electronic Conference

Kia ora koutou, because your health and safety is our top priority, we will not be proceeding with a physical gathering for Create1World this year.

However, we’ve always had a cutting-edge electronic component to the conference – and we think it is still very important and inspirational to hear from, and support, the voices of our artists at this time.

So we’re working on a plan to expand the electronic part of the conference so that you can still get access to great creative activism wisdom from wherever you are. We’ll keep you posted.

We are also still happy to accept your entries to the competition. We believe creativity is an important way to process everything that is happening. However, the electronic version that you send us will be your judged entry – there will be no live finals.

Please keep an eye on our Facebook page for updates: https://www.facebook.com/create1world/

Stay safe and stay creative. ❤️

Create1World 2020 Competition Now Open!

Calling all creative rangatahi! We know you have great ideas about how to make the world a better place. Turn them into a short film, poem, story, song or piece of theatre, and you could win cash prizes.  Check out http://sites.massey.ac.nz/expressivearts/create1world-2020/  for all the details of the 2020 Create1World Competition.  It’s NOW OPEN and you have until June 2, 2020 to get your entries in.

 

Create1World – an antidote to climate grief

Activist/panellist Zimbabwean-Kiwi Makanaka Tuwe at the 2016 Create1World event.

Activist/panellist Zimbabwean-Kiwi Makanaka Tuwe at the 2016 Create1World event.

Climate grief and climate anxiety are real for this generation, say organisers of a Massey University event bringing together youth to share creative ideas and solutions to the climate crisis.

Hundreds of secondary school pupils will converge at Create1World conferences at Massey’s Auckland and Wellington campuses this month to take part in workshops, online and live panel discussions as well as view performances by poets, film-makers and musicians. The aim of the event, now in its fourth year, is to inspire and foster hope among young people in the face of daunting global issues confronting humanity, from climate change impacts to poverty, deforestation, plastic pollution and social inequality.

Create1World is hosted by Massey’s School of English and Media Studies and the New Zealand Centre for Global Studies. Co-organisers Dr Hannah August and Associate Professor Elspeth Tilley say many young people they have spoken to during the year are feeling angry and frustrated.

“Climate grief is real and it has many of them in the grip of fear and anxiety,” Dr Tilley says. Taking action “is a logical and healthy response to feeling frustrated and disempowered, which is just one of the many reasons why the school strikes are so important,” she says.

“Creative action is also an important form of response. It can be accessible to more people – not everybody is able to participate in a protest march – and it can help process emotional responses through catharsis or inspiration.”

Winners of the Create1World Activism and Global Citizenship competition will be announced at each of the conferences (Wellington on November 14 and Auckland on November 21). Finalists’ work includes slam poetry, music, theatre, a poem in te reo Māori, and speeches on topics ranging from refugees and climate change to sexual consent.

Professor Chris Gallavin (left) with Fatimah Khan, from Newlands College, reading her creative writing in 2018. She is a finalist this year too.

Professor Chris Gallavin (left) with Fatimah Khan, from Newlands College, reading her creative writing in 2018. She is a finalist this year too.

Art to displace fear
Dr August says using creativity to channel fear and concern about pressing global issues helps by bringing a human focus and increasing awareness. “Art and creativity can make a difference both to the person doing the creative work and to the audience they share it with.”

Wellington highlights include creative activist Waylon Edwards, of Whakatōhea, Ngāti Pikiao, Ngāi Tai and Ngāti Hine, and Diane Wong, who will beam in live from New York via an interactive video feed to talk about her work with Chinatown Art Brigade, an intergenerational cultural collective that uses the power of art to advance social justice.

Wellington-based actor, musician, writer and director Moana Ete, of Ngai Tahu and Samoan descent, and Abhishek Majumdar, an environmental and human rights playwright who will participate via a live feed from the United Arab Emirates, will also be on panel discussions.

Wellington attendees will also be treated to a Climate Change Theatre Action demonstration performance by Massey University Expressive Arts students.

Workshops at Wellington include feminist media making with Dr Claire Henry, broadcast skills with Ilja Herb, performance poetry with Dr Tilley, and creative nonfiction with Associate Professor Ingrid Horrocks, all staff members in the School of English & Media Studies.

Highlights for Auckland are Robbie Nicol, aka White Man Behind a Desk, who makes videos for social media to raise political awareness and engagement, and Alice Canton, an award-winning theatre director known for her work using theatre to tell the stories of Auckland’s Chinese community. Workshops by Massey’s award-winning creative writers and theatre practitioners, including Professor Bryan Walpert, Dr Jack Ross, Dr Rand Hazou and Stuart Hoar, are also on the agenda.

Secondary school pupils or teachers interested in attending Create1World are invited to register now, on: http://sites.massey.ac.nz/expressivearts/2019/03/06/create1world-2019/

or check Facebook page: https://www.facebook.com/create1world/

#create1world

Short film fulfils a life-long dream

Lydia Peckham as Andy, in short film Virgo.

“Never underestimate your ability to live your passion,” says Massey University media studies graduate Adelaide McDougall, who has just written and directed her first short film, Virgo.

Narrating a day in the life of a young architect, Andy, who is striving to forge her path through a male-dominated world, Virgo highlights the gendered micro-aggressions Andy receives in the workplace.

The film shows how these constant slights, while seemingly small, pile up until they derail Andy’s ability to do her job. In the film, Andy gets her revenge – but it is the real-world nature of the subtle antagonisms leading up to that point that McDougall wants to highlight. They reflect her own experiences, and those of many of her friends and colleagues who contributed anecdotes to the scriptwriting process.

“I am really lucky with the experiences I’ve had, and I’ve met some truly wonderful people who have supported me non-stop along my film industry journey,” McDougall says. “However, what fascinated me was the small moments – the off-hand comments or jokes, made by both men and women – that support gender inequality, sexism and ageism that are still prevalent in many industries.”

“…what fascinated me was the small moments – the off-hand comments or jokes, made by both men and women – that support gender inequality”

McDougall was inspired to start gathering stories from friends, co-workers and family. “I found that absolutely everyone, male or female, has a story to tell where they have felt under-valued or side-lined by a passing comment, while the person delivering it isn’t even aware that they are speaking in such a way.” Her dream is that this film will shed light on “the seemingly insignificant moments, the inappropriate joke that left you feeling small, all the moments we brush off” so as to “facilitate people to make little changes in each day of their lives that will lend to a bigger cultural change in our society”.

Adelaide McDougall.

Making a socially significant film has been a life-long dream for McDougall. “I’ve always believed that my path is to help people – to help them see life through a different lens. For me, my medium for this passion is film. A tool that I believe is very powerful in facilitating this.”

After university she worked largely in producing for commercials and television in New York and New Zealand, but never lost sight of the goal of making her own work. She started writing the script while still living in New York, and saved $4,000 of personal funds to create Virgo’s budget. She also asked for, and received, a lot of support from film industry contacts and collaborators. “I am honestly awestruck by the generosity and support that I have received from all kinds of people.”

McDougall graduated from Massey in 2013 with a Bachelor of Communication majoring in media studies. She then worked in New York City at a film production company, and after returning to New Zealand had art department and production roles with Paramount Pictures’ Ghost in the Shell, television production company Robber’s Dog, and on Westside (Season Four) with South Pacific Pictures. On the side, she also produced a wide range of music videos, including for David Dallas, Die! Die! Die!, Suntory Time, and Evan Klar for EMI Australia.

Lydia Peckham as Andy in Virgo.

Virgo was McDougall’s final project in New Zealand, as she has now relocated to Vancouver, Canada and is currently working on a film as a Director’s and Producer’s assistant. She will continue to write scripts and make her own films with her new connections there. McDougall will also feature as a panellist on the Massey University youth creative activism conference, Create1World, beaming in from Vancouver to share her creative activism experiences with Kiwi young people at the Wellington event.

Virgo was written and directed by Adelaide McDougall, produced by Greta Cervin, with Tammy Williams as DOP. It stars Lydia Peckham, James Gordon and Tania Anderson. If you want to find out just how Andy got her revenge, check out Virgo at https://vimeo.com/277757273. Adelaide is happy to answer any questions via direct mail to her Instagram @adelaidehelena.  You can also see a great interview with her at The Twenties Club http://thetwentiesclub.co.nz/portfolio/an-interview-with-26-year-old-filmmaker-adelaide-mcdougall/

Create1World Flyer

Want some Create1World 2018 info to put up on your class noticeboard? Here’s our latest flyer.  Click here  Create1World 2018 Flyer PDF  for a PDF for you to download!

Create1World 2018

Create1World 2018

Nau mai, haere mai. Welcome to the Create1World Competition and Conference information pages – Join us to create one world through expressive arts and creativity! Hono atu ki te whakataetae Create1World.  Mahi tahi mo te rangimarie.

Massey University invites high school students in years 9-13 to enter the 2018 Create1World competition, and/or to join us for a fabulous day of creative inspiration including local and international panellists answering your questions, along with performances, workshops and activities.

The competition asks you to produce a creative piece that encourages audiences to join together as a global community and solve some of the big problems we face as a planet.  It could be a video, song, poem, short story, speech or theatre performance – your choice – but it must help us think about ways of working collaboratively for the betterment of all humanity. There are cash prizes!

“We are still raving about it.” (Teacher, Wellington)

The conference days are free to attend, and give you a feast of creative inspiration from other young people and leading artivists (that’s artists who use their creativity to generate change)!  There’s one conference at Massey Wellington, 9am – 3pm on November 15, and one at Massey Auckland, 9am – 3pm on November 22.  We provide morning tea and lunch, a goody bag, and a wealth of information and inspiration about creativity and global citizenship.

If you already know you want to come to a Create1World conference day near you – please register here: https://docs.google.com/forms/d/e/1FAIpQLSeNlSNKwVI01F44LTWZ0uiyuYKP0JsUi1EcbPZo3JH33UCvOw/viewform Registration for the Auckland event has been extended until 5pm on November 8, 2018.

You can attend a conference day without having to enter the competition – but we really hope you’ll do both! It’s great to see what ideas everyone has and share our own Kiwi young people’s creativity alongside our featured local and international artists’ stories about their successful creative journeys.

We are very grateful to New Zealand National Commission for UNESCO for supporting Create1World, including with prizes, and travel support for participants (if your school needs help with travel for students, please contact us on cre8oneworld@gmail.com to discuss – we want to see wide participation at Create1World!).

If you’d still like a bit more of a sense of what it’s like to come to a Create1World Conference before you sign up, check out the Radio New Zealand story here: http://www.radionz.co.nz/national/programmes/standing-room-only/audio/201807707/creative-activism

So get creating and registering, and come join us for Create1World 2018!

“Thank you so much for such an amazing conference today. I had little to no idea what was going to happen and it completely blew my mind how well put together it was. It was so interesting and fascinating to hear different perspectives from not only the panel internationally and domestically, but as well as from teachers/tutors within Massey University. Thank you so much once again❤️” (Student, Auckland)

 

Topp Twins ‘striking example’ of power of popular culture

The Topp Twins use comedy as a means to unsettle ideas around gender, sexuality and what it means to be a New Zealander, according to Dr Nicholas Holm, Massey lecturer and programme leader in Media Studies at the Manawatū campus.

Dr Holm presented a lecture on the Topp Twins at Te Manawa Museum in Palmerston North, which has recently celebrated the opening of a Topp Twins exhibition, running until October 29.

He described the Topp Twins characters as “pantomime fictions sprung to life and walking the fields and streets of provincial New Zealand, and when you encounter them you are asked to enter willingly and gleefully into their skewed world”.

“The Topp Twins are fantastic entertainers who also happen to be radically ahead of their time, and therefore have found ways through popular culture to gain widespread acceptance and even love. As such they exist in a fascinating and productive tension by virtue of their seeming ability to unapologetically reject powerful and normative cultural expectations while also being celebrated as wholesome examples of traditional entertainment.”

Through analysis of the comedy of the Topp Twins, Dr Holm identified the unexpected power of popular culture, as it “can serve as a platform from which to challenge assumptions and accepted ideas about how the world works, what is valuable and what is permitted, who counts in a society, and what it means to belong to a community”.

For more information about the exhibition see http://www.temanawa.co.nz/

Brian McDonnell publishes fourth book

Brian McDonnell’s new book on the 2004 New Zealand film In My Father’s Den has been published by boutique UK publisher Kakapo Books which specialises in New Zealand material. In My Father’s Den is widely regarded as one of the most important films ever made in New Zealand and also as one of the boldest and most radical adaptations of a classic New Zealand novel. Dr McDonnell’s book is an extensive, painstakingly researched and copiously illustrated analysis of this key film. It scrutinises Maurice Gee’s 1972 novel In My Father’s Den, which is the source of the film’s story and delineates closely the process by which scriptwriter/director Brad McGann took the book’s core and made it his own, while reimagining its central ideas and characters for the 21st Century. McGann’s brilliance as both a writer and a director are addressed with key sequences selected for closer examination in order to highlight the film’s intricate texture. Brian McDonnell hopes his book will confirm In My Father’s Den as an undisputed classic of New Zealand cinema.

In My Father’s Den is also the first book in a projected series of short books (called New Zealand Film Classics) that are focused studies of single films, rather in the tradition of the famous BFI Classics series. Series Editor is UK academic Dr Ian Conrich and Brian McDonnell is Series Consultant. Each book is devoted to providing a comprehensive appreciation of eminent, momentous and acclaimed New Zealand movies that have been viewed as key texts within the history of New Zealand cinema. It is envisaged that one or two new books in the series will be published yearly, written by local and international academics and other specialists in the field. Among films already chosen to be part of the Film Classics series are: Heavenly Creatures, Came a Hot Friday, Whale Rider, Out of the Blue, Rain, The Piano, Boy, Rewi’s Last Stand, Once Were Warriors, An Angel at My Table, Ngati, Broken Barrier, Sleeping Dogs, Sons for the Return Home, Smash Palace, Bad Blood, No.2.

This is Dr McDonnell’s fourth book about film, his best-known previous work being the Greenwood Press Encyclopedia of Film Noir which he co-wrote with Australian film scholar Geoff Mayer in 2007.

Moa Magic

Madam Black, a short film written by Matthew Harris, one of our senior tutors in Auckland, has recently picked up Best Short Film at The Rialto Channel NZ Film Awards (the ‘Moas’).  The film has now won 38 international awards, including the Prix du Public at the Clermont-Ferrand in France – the biggest audience prize for short film in the world.  After this weekend’s win the film was described by Rialto as a “globally acclaimed short” on an “historic awards run”.   Matthew says “the volume of these festival awards are definitely encouraging, so I’ll be devoting a lot more time to screenwriting, but I maintain other areas of interest too – short fiction, academic writing, teaching – I’m looking forward to tutoring Creative Writing this semester!”

Clermont-Ferrand short film festival winner

Big congratulations to our Wellington media production lecturer Costa Botes and his longstanding mentee Zoe McIntosh who have won a coveted prize in the 2017 Clermont-Ferrand short film festival in France. The festival is the biggest event of its type in the world. It’s a feat just to get selected for competition, then Zoe and Costa’s film The World in Your Window has picked up the Student Prize in the international competition – this is an award given by an international student jury. The jurors described the film as “a real visual poem”. The jury announcement said “we were all touched by the relationship you depicted between a dad and his son. The breath of humanism and tolerance that emerges from your film is extremely moving.” The World in Your Window is directed by Zoe McIntosh, written by Costa Botes and Zoe McIntosh, and produced by Hamish Mortland. It will have its New Zealand premiere at the New Zealand International Film Festival mid year.